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Untitled - Memorial University of Newfoundland

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CHAPTER 1 • INTRODUCTION<br />

Postc olooiaJ Theory and tbe Rewriting oCCano nized Western Texts<br />

ApolIcx1orus records an ancient Greek myth about Philomela and her sister,<br />

Procne, daughters <strong>of</strong> Pandion . king <strong>of</strong> Athens. In return for assistin g him during the<br />

war against Thebes . Pandion gives Procnein marriage to the Thracian king, Tereus.<br />

After a few years, Tereus goes to Athens to bring Philomela to Th.raceon the pretence<br />

that Procae was dead. On their arrival, Tereus rapes Philo mela and cuts <strong>of</strong>f her<br />

tongue to prevent ber from revealing what happened . However . Philomela finds out<br />

that Procne is alive and co mmunicates with her by weaving a tapestry depictin g her<br />

violation (ill.nv.S).t Centuries later , in 1986. 1. M. Coetzee rewrites Defoe's<br />

Robinson Crusoe in a novel entitled Foe, in which the character , Friday , is a slave<br />

who has been castrated. and his tonguecut <strong>of</strong>f. Friday's owners attempt to teach him<br />

to write English words . but instead <strong>of</strong> imitating the letters . be writes rows and rows <strong>of</strong><br />

the letter 0 tightly packed together like a stone wall (152 ).2<br />

Although in different ways, the characters <strong>of</strong> Philom ela and Friday symbolize<br />

the resistance to violence and liberation from a dominating power . While Philomela<br />

exposesTereus' violence which freesher from her condemnation to silence, Friday,<br />

by refusing to write: like his masters, resists being formed into their image or being<br />

drawn in to their mode <strong>of</strong> representation. Instead, he uses the ability to write that he<br />

hasacquired as a means <strong>of</strong> creating his own images. Coetzee reverses one <strong>of</strong> the<br />

dominant motifs <strong>of</strong> the topes • Philomela -speaks - despite her -silencing - - Friday

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