Untitled - Memorial University of Newfoundland
Untitled - Memorial University of Newfoundland
Untitled - Memorial University of Newfoundland
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172<br />
44. Herodotus . History o/the Greek and Persian War, trans . George Rawlinso n (New<br />
York: Twayne, 1963 ) records the story <strong>of</strong>Hippoclides who danced away his opportunity to marry<br />
Agariste , the daughter <strong>of</strong> Cllsthenes, Iring <strong>of</strong> Sicyon (VI.126-lJO).<br />
45. Just as it was out<strong>of</strong>Cronus' viole nt castratio n <strong>of</strong> Uranus' genitals that Aphrod ite the<br />
beautiful goddess <strong>of</strong> love was born, so it is out <strong>of</strong> the violence <strong>of</strong> Agave's deed that the<br />
community will be reborn.<br />
46. All biblical references are take from the 1975 edition <strong>of</strong> the New American Standard<br />
Venion.<br />
47. The aposue. John, in his Gospel refers to lesus Christ as "the Lamb<strong>of</strong> GOO who takes<br />
away the sins <strong>of</strong> the world- (1:29) . God replaced Abraham 's son wb.omhe attempted to sacrifice<br />
with a lamb, fores hadowing the sacrifici al deadl <strong>of</strong> God 's son, the perfect lamb , on the cross .<br />
(Genesis 22; d. Ro mans 8:32).<br />
48. Obi Maduako r, Wale Soyinka: An Ituroduaion to His Writing (New York:& London :<br />
Garland. 1986) suggests thai: Soyinka's "teserd on <strong>of</strong> the wedding scenes is superfl uous at the<br />
critical moment when Pentbeus is beginning to submit to Dionysus and to ackno wledge the<br />
hope lessness <strong>of</strong> his pos ition as an apostle <strong>of</strong> reason " (256). On the contrary, the scenes advance<br />
the plot, inverse the western rituals, and prepare Pentheus and the audience fur Pentheus'<br />
sacrificial death .<br />
49 . An examp le <strong>of</strong> hubris in ancient Greek tragedy is in the scene in Aeschy lus' The<br />
Oresteia in which Agamemnon returns from Troy and commits hubris by walking on the purp le<br />
tapestry . The scene evokes connotations <strong>of</strong> Agamemnon's tt'anSfurmatio n as a sacrificial victim<br />
as he walks right into Clyta emnestra 's net and his death .