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Untitled - Memorial University of Newfoundland

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As pan <strong>of</strong> a larger discourse about empire , it [the myth} was shaped by<br />

political and economic pressures and also by a psychology <strong>of</strong> blaming<br />

the victi m through which Europeans projected many <strong>of</strong> their own<br />

darkest impulses onto Africans. The product <strong>of</strong> me transition - or<br />

transvaluation - from abolitionism to imperialism, the myth <strong>of</strong> the Dark<br />

Continent defined slavery as the <strong>of</strong>fspring <strong>of</strong> tribal savagery and<br />

portrayed white explorers and missionaries as the leaders <strong>of</strong> a christian<br />

crusade that would vanquis h the forces <strong>of</strong> darkness .•_. When the tain t<br />

<strong>of</strong> slavery fused with sensational reports about cannibalism, witc hcraft.<br />

and apparently shameless sexual customs , Victorian Africa emerg ed<br />

drapedin that pall <strong>of</strong> darkness that the Victorians themselves accepted<br />

as reality (198).<br />

The association <strong>of</strong> Africa with darkness is eviden t in numero us colonialist texts which<br />

were wide ly circulated in Europe and in the colonies . Postco lonial theory challenges<br />

this white mythology that has beenaccepted as a universal reality.<br />

Like Cugoano , a number <strong>of</strong> the African intellectuals in the twentieth century<br />

resisted the eurocentric discourse <strong>of</strong> domination. The West Indian poet, Aime Cesaire,<br />

coined the word Negritude but Africans . like Uopold Sedar Senghor and Amilcar<br />

Cabral, played major roles in the NegrillJdemovement by writing essays and poe try<br />

emphasizing their iden tity. The philosophy <strong>of</strong> NegriCUth.developed by colonized<br />

francopbone Africans, emptlasized the recognition <strong>of</strong> the culture and dignity <strong>of</strong> the<br />

African in an effort to gain social and political liberation from colonization. In An<br />

lmroauaton to War African Lueranee , Oladele Taiwo cites Leopold Senghor's speech<br />

at the founding <strong>of</strong> the Negritude movement<br />

They (the colonizers ] esteemed that we (the colonized] had neither<br />

invented, nor created , nor written , nor sculptured, nor paintednor sung<br />

anything . To set our own and effective revolution , we had first to put<br />

o ff our borrowed dresses , those <strong>of</strong> assimilation and affirm our being,<br />

14

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