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Booth, James. "Human Sacrifice in Literature: The Case of Wa le Sayink:a. " Ariel 23 .1 (January 1992) : 7-23 Brantlinger . Patrick, "vlctcrians and Africans: The Genealogy of the Myth of the Dark Co ntinen t. " Critical Inquiry 12.1 (Autumn 1985) : 166-203 . Breckenridge Carol A and Peter van dec Veer . eds. Orient a/ism and the Postcolonial Predicamenc Persp«!iva Oil Sourh Asia . Philadelphia: U of Pennsy lvania P. 1993. Bronte, Charlotte. Jane Eyre. Ed. Richard J. Dunn. New York: W. W. Norton, 1971. Butler , Guy. Demea, Cape Town and Johannesburg : David Philip , 1990. Carusi, Annamaria. "Post. Post andPost. Or. Where is South African Literamre in All This?" Ariel 20.4 (1989) : 19-96 . Cavafy, Constantin P. The Complete Poemso/Ca vafy. Tran s. Rae Dalven. New Yorlc: Harcourt.Brace and World. 1948. Cbinweizu , Onwuchekwa Jemie and Ihechukwu Madubuikc: . Toward1M Decolonization ofAfricanLueramre. Washington D. C.: Howard UP. 1983. Cixous, Helene . "Laugh of the Medusa... Critical Theory Since 1965. Hazard Adams and leroy Searle, eds. Tallahassee: Florida State UP. 1986. Clark, Ebun . "Ogun de Theatre: The Riseof Contemporary Professional Theatre in Nigeria 1946-1972 ." Nigeria Magazine l1S· 116 (1974) , 9-24 . _ ' Huben Og unde : TheMaking ofMgerian Thearre. Londo n: Oxford up. 1979 . CLark. John Pepper. "Aspects of Nigerian Drama. - TM Exomple ofShaltnpeare . Evanston : Northwestern UP. 1970. _ . Song ofa Goat. Three Plays. London: Oxford. UP . 1976. _ . Foe. London: Seeker & Warburg. 1986. _ 0 "Jerusalem Prize Acceptance Speech." Doubling eM Point: Essaysand Interviews . Ed. David Attwell. Cambridge: Harvard UP. 1992. 179
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51. 101m'S RImlINKING GREEK TRAGEDY
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ACKNOWLEDGEMENTS I would like to th
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and Caribbean descen t, remain ed a
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CHAPTER 1 • INTRODUCTION Postc ol
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Postcolonial theory comprises the d
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colonial process . 3 The use of the
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Even mough postcolonial theory inte
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wickedness, that the very idea of i
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linguistic groups . The people who
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that is our nig1'i1utU •...• Fo
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Africans in Ivory Coast have beenqu
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how me West dealt with the Orien t
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presence show s. aim relentlessly t
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women by the natives. In "Caliban A
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privileged the aite above those wit
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CHAPfERl 11re Gods An Nol To BI4mr.
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hindered communication with the dif
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Banhamcites the production notes an
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he founded the on Olokun theatre gr
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In the legend, against the advice o
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also happens to be the household se
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human features and interact with me
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From the moment a child is conceive
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Having heard about their predicamen
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older brother rightfull y occupies
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two daughters are introduced on sta
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from whi ch the noun is derived is
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tragic flaw, his sin of hubris . br
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occur does leave room for the possi
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accepting it; the gods themselves c
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doing : you bl ed down andreceive i
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of the Townspeople: [The] old. and
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De-lfe to inquire of the gods the r
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his household. Rotimi has a dual pu
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the place where three footpaths mee
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off against the old myths, the supe
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on Odewale that he should kill his
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in the first place••..(foreign
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communication is limited to only th
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entity under the colonial system. I
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the illusion that all would be well
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Letterario Internarionale Mondello
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imaginatively recreates the plot an
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in his thigh and sewed it up so tha
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In the prologue of Euripides ' lJac
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Page 143 and 144: forged fro m the ore of mountain-wo
Page 148: I find myself very much preoccupied
Page 153 and 154: of the old household slave who is t
Page 155 and 156: conflict betweenthe oppressed and t
Page 157 and 158: continues. transformed beyond the p
Page 160 and 161: into the realm of communal ritual .
Page 162 and 163: and drinks from the wine that spurt
Page 164 and 165: From orgas mic moans the surrogate
Page 166 and 167: "those gods . who yearly mus t be r
Page 168 and 169: By making the audience or a membero
Page 170: minute of his speech, he utters the
Page 174 and 175: which he turned water in to wine at
Page 176: itual . As Tiresias says, Dionysos
Page 185: 172 44. Herodotus . History o/the G
Page 188 and 189: African mythological worldview on t
Page 194: Enekwe , Onuora Ossie. "Interview w
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