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Dr Faustus of Modern Physics - Department of Speech, Music and ...

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66 CHAPTER 13. FALLS OF MUSIC AND PHYSICS<br />

• F sharp minor: painful extraordinary experience,<br />

• E major: heaven <strong>and</strong> grace<br />

• C sharp minor: grave <strong>and</strong> tragic,<br />

• B major: sparkling,<br />

• G sharp minor: obscure <strong>and</strong> scary,<br />

• F sharp major: shining ligh <strong>and</strong> radiance,<br />

• E flat minor: darkness <strong>and</strong> death,<br />

• D flat major: romantically sensuous <strong>and</strong> assuaging,<br />

• B flat minor: dark <strong>and</strong> simple,<br />

• A flat major: s<strong>of</strong>t <strong>and</strong> lugubre,<br />

• F minor: tragic,<br />

• E flat major: trinitarian godliness <strong>and</strong> human heroism,<br />

• C flat minor: tragic<br />

• B flat major: will <strong>and</strong> power,<br />

• G minor: tragic <strong>and</strong> weeping,<br />

• F major: pastoral<br />

• D minor: devotional <strong>and</strong> demonic.<br />

With the Fall <strong>of</strong> the well-tempered scale the qualities <strong>of</strong> the different keys in<br />

principle lost their physical basis, but yet was present to the composers <strong>of</strong><br />

the classsic <strong>and</strong> romantic periods following the baroque <strong>of</strong> Bach.

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