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Band 2 Anthropogenesis - H.P. Blavatsky

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serpents by saying that this was the name given to the tribe of Levi, to all the Levites, in short, and that Moses was the<br />

chief of the Sodales.*** It is to the mysteries that the original meaning of the "Dragon-Slayers" has to be traced, and the<br />

question is fully treated of hereafter.<br />

Meanwhile it follows that, if Moses was the chief of the Mysteries, he was the Hierophant thereof, and further, if, at the<br />

same time, we find the prophets thundering against the "abominations" of the people of Israel, that there were two<br />

schools. "Fiery serpents" was, then, simply the epithet given to the Levites of the priestly caste, after they had departed<br />

from the good law, the traditional teachings of Moses: and to all those who followed Black Magic. Isaiah, when referring to<br />

the "rebellious children" who will have to carry their riches into the land whence come "the viper and fiery flying serpent"<br />

(xxx. 6), or Chaldea and Egypt, whose Initiates had already greatly degenerated in his day (700 B.C.), meant the<br />

sorcerers of those lands.**** But these must be carefully distinguished from the "Fiery Dragons of Wisdom" and the "Sons<br />

of the Fire Mist."<br />

In the "Great Book of the Mysteries" we are told that: "Seven Lords created Seven men; three Lords (Dhyan Chohans or<br />

Pitris) were holy and good, four less heavenly and full of passion. . . . The chhayas (phantoms) of the Fathers were as<br />

they."<br />

This accounts for the differences in human nature, which is divided into seven gradations of good and evil. There were<br />

seven tabernacles ready to be inhabited by Monads under seven different Karmic conditions. The Commentaries explain<br />

on this basis the easy spread of evil, as soon as the human Forms had become real men. Some ancient<br />

[[Footnote(s)]] -------------------------------------------------<br />

* "Genesis," ch. xlix.<br />

** Dunlap, in his introduction to "Sod, the Mysteries of Adonis," explains the word "Sod" as arcanum, religious mystery, on<br />

the authority of Schindler's "Penteglott." "The secret of the Lord is with them that fear him," says Psalm xxv., 14. This is a<br />

mistranslation of the Christians, for it ought to read "Sod Ihoh (the mysteries of Ihoh) are for those who fear him" (Dunlap,<br />

"Mysteries of Adonis," xi). "Al (El) is terrible in the great Sod of the Kadeshim (the priests, the holy, the Initiated), Psalm<br />

lxxxix, 7" (ibid.). The Kadeshim were very far from holy. (Vide Part II., "The Holy of Holies.")<br />

*** "The members of the priest-Colleges were called Sodales," says Freund's "Latin Lexicon" (iv. 448). "Sodalities were<br />

constituted in the Idaean Mysteries of the MIGHTY MOTHER," writes Cicero in de Senectute. ("Mysteries of Adonis.")<br />

**** The priests of Baal who jumped over the fires. But this was a Hebrew term and a local one. "Saraph" -- "fiery or<br />

flaming venom."<br />

------------------------------------------------------------------------<br />

[[Vol. 2, Page]] 213 THE SEVENTH SON OF THE SEVENTH SON.<br />

philosophers ignored the seven in their genetical accounts and gave only four. Thus the Mexican local Genesis has "four<br />

good men" described as the four real ancestors of the human race, "who were neither begotten by the gods nor born of<br />

woman"; but whose creation was a wonder wrought by the creative Powers, and who were made only after "three<br />

attempts at manufacturing men had failed." The Egyptians had in their theology only "four sons of God," whereas in<br />

Pymander seven are given -- thus avoiding any mention of the evil nature of man; though when Seth from a god sank into<br />

Set-Typhon, he began to be called "the seventh son." Whence probably arose the belief that "the seventh son of the<br />

seventh son" is always a natural-born magician, though, at first, only a sorcerer was meant. APAP, the serpent<br />

symbolizing evil, is slain by Aker, Set's serpent;* therefore Set-Typhon could not be that evil. In the "Book of the Dead" it<br />

is commanded (v. 13) that chapter clxiii. should be read "in the presence of a serpent on two legs," which means a high<br />

Initiate, a Hierophant, for the discus and ram's horns** that adorn his "serpent's" head in the hieroglyphics of the title of<br />

the said chapter denote this. Over the "serpent" are represented the two mystic eyes of Ammon,*** the hidden "mystery<br />

god." This passage corroborates our assertion, and shows what the word "serpent" meant in antiquity.<br />

But as to the Nagals and Nargals, whence came the similarity of names between the Indian Nagas and the American<br />

Nagals?<br />

"The Nargal was the Chaldean and Assyrian chief of the Magi (Rab-Mag), and the Nagal was the chief sorcerer of the<br />

Mexican Indians. Both derive their names from Nergal-Serezer, the Assyrian god, and the Hindu Nagas. Both have the<br />

same faculties and the power to have an attendant daemon, with whom they identify themselves completely. The<br />

Chaldean and Assyrian Nargal kept his daemon, in the shape of some animal considered sacred, inside the temple; the<br />

Indian Nagal keeps his wherever he can -- in the neighbouring lake, or wood, or in the house in the shape of some<br />

household animal."****<br />

Such similarity cannot be attributed to coincidence. A new world is discovered, and we find that, for our forefathers of the<br />

Fourth Race,<br />

[[Footnote(s)]] -------------------------------------------------<br />

* "Book of the Dead" xxxix.<br />

** The same ram's horns are found on the heads of Moses which were on some old medals seen by the writer in<br />

Palestine, one of which is in her possession. The horns, made to form part of the shining aureole on the statue of Moses<br />

in Rome (Michael Angelo), are vertical instead of being bent down to the ears, but the emblem is the same; hence the<br />

Brazen Serpent.<br />

*** But see Harris's "Magic Papyrus" No. v.; and the ram-headed Ammon manufacturing men on a potter's wheel.<br />

**** Brasseur de Bourbourg: "Mexique," pp. 135 and 574.

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