Kommentiertes Vorlesungsverzeichnis Anglistik Heidelberg SS 2008
Kommentiertes Vorlesungsverzeichnis Anglistik Heidelberg SS 2008
Kommentiertes Vorlesungsverzeichnis Anglistik Heidelberg SS 2008
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
4 PROSEMINARE<br />
essays on poetry and its creation have been regarded as the most influential pieces of writing in<br />
American literature. Moreover, Poe has been credited with single-handedly inventing detective<br />
fiction and with contributing to the emerging genres of horror writing and science fiction.<br />
This course will cover a selection of texts Poe produced during his lifetime, ranging from the early<br />
poetry and his poetic theory to his short stories and detective fiction. The class is designed as an<br />
introduction to the analysis of fiction, and for this purpose we will study Poe’s aesthetic concepts<br />
and the sociohistorical background of the United States in the 19th century.<br />
Registration: Please register per e-mail: bracher@urz.uni-hd.de.<br />
Texts: A reader will be provided in the first week of the semester.<br />
Course Requirements: Regular attendance and active participation (1 CP); regular homework<br />
assignments (1,5 CP); a presentation (1 CP); a term paper of 12-15 pages (2 CP).<br />
Introduction to Poetry<br />
Dr. Jakubzik Mittwoch 14:15 – 15:45 116 2st.<br />
This course will repeat and develop basic means of poetry analysis (meter, rhyme, sound, diction,<br />
imagery, symbolism, theme etc.) and it will introduce two of America’s greatest poets: Walt<br />
Whitman (1819-1892) and Emily Dickinson (1830-1886).<br />
Along with the usual oral presentation, you will be asked to create an annotated, illustrated and/or<br />
electronically enhanced version of a poem in a group of three or four.<br />
Registration: Please register by email: heiko.jakubzik@as.uni-heidelberg.de.<br />
Course Requirements: Regular attendance and active participation (1 CP); course<br />
preparation/homework assignments (1,5 CP); oral presentation with detailed handout (1 CP); term<br />
paper (2 CP).<br />
American Hard-boiled Detective Fiction<br />
Dr. Hauser Donnerstag 16:15 – 17:45 114 2st.<br />
In this seminar we are going to deal with the American branch of the (English) mystery novel, aka<br />
the hardboiled detective novel.<br />
We will focus on Dashiell Hammett’s tough guy Sam Spade and Raymond Chandler’s memorable<br />
creation Philip Marlowe. The novels to be dealt with are Hammett’s The Maltese Falcon (1930),<br />
and Chandler’s The Big Sleep (1939), Farewell, My Lovely (1940), and The Long Goodbye (1953).<br />
We will also look at the movie versions of The Maltese Falcon and The Big Sleep starring<br />
Humphrey Bogart as private eye Spade and Marlowe. Students wishing to participate will be asked<br />
to impress the teacher with their profound knowledge of the novels’ plots by answering a<br />
questionnaire in the first lesson.<br />
To better understand the differences between the British and American detective novel we will start<br />
by looking at the archetype of all detective fiction, Edgar Allan Poe’s short story “The Murders in<br />
the Rue Morgue”, as well as Arthur Conan Doyle’s super-detective Sherlock Holmes (“The<br />
Adventure of Silver Blaze”).<br />
26