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Kommentiertes Vorlesungsverzeichnis Anglistik Heidelberg SS 2008

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essays on poetry and its creation have been regarded as the most influential pieces of writing in<br />

American literature. Moreover, Poe has been credited with single-handedly inventing detective<br />

fiction and with contributing to the emerging genres of horror writing and science fiction.<br />

This course will cover a selection of texts Poe produced during his lifetime, ranging from the early<br />

poetry and his poetic theory to his short stories and detective fiction. The class is designed as an<br />

introduction to the analysis of fiction, and for this purpose we will study Poe’s aesthetic concepts<br />

and the sociohistorical background of the United States in the 19th century.<br />

Registration: Please register per e-mail: bracher@urz.uni-hd.de.<br />

Texts: A reader will be provided in the first week of the semester.<br />

Course Requirements: Regular attendance and active participation (1 CP); regular homework<br />

assignments (1,5 CP); a presentation (1 CP); a term paper of 12-15 pages (2 CP).<br />

Introduction to Poetry<br />

Dr. Jakubzik Mittwoch 14:15 – 15:45 116 2st.<br />

This course will repeat and develop basic means of poetry analysis (meter, rhyme, sound, diction,<br />

imagery, symbolism, theme etc.) and it will introduce two of America’s greatest poets: Walt<br />

Whitman (1819-1892) and Emily Dickinson (1830-1886).<br />

Along with the usual oral presentation, you will be asked to create an annotated, illustrated and/or<br />

electronically enhanced version of a poem in a group of three or four.<br />

Registration: Please register by email: heiko.jakubzik@as.uni-heidelberg.de.<br />

Course Requirements: Regular attendance and active participation (1 CP); course<br />

preparation/homework assignments (1,5 CP); oral presentation with detailed handout (1 CP); term<br />

paper (2 CP).<br />

American Hard-boiled Detective Fiction<br />

Dr. Hauser Donnerstag 16:15 – 17:45 114 2st.<br />

In this seminar we are going to deal with the American branch of the (English) mystery novel, aka<br />

the hardboiled detective novel.<br />

We will focus on Dashiell Hammett’s tough guy Sam Spade and Raymond Chandler’s memorable<br />

creation Philip Marlowe. The novels to be dealt with are Hammett’s The Maltese Falcon (1930),<br />

and Chandler’s The Big Sleep (1939), Farewell, My Lovely (1940), and The Long Goodbye (1953).<br />

We will also look at the movie versions of The Maltese Falcon and The Big Sleep starring<br />

Humphrey Bogart as private eye Spade and Marlowe. Students wishing to participate will be asked<br />

to impress the teacher with their profound knowledge of the novels’ plots by answering a<br />

questionnaire in the first lesson.<br />

To better understand the differences between the British and American detective novel we will start<br />

by looking at the archetype of all detective fiction, Edgar Allan Poe’s short story “The Murders in<br />

the Rue Morgue”, as well as Arthur Conan Doyle’s super-detective Sherlock Holmes (“The<br />

Adventure of Silver Blaze”).<br />

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