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ERATO Proceedings Istanbul 2006.pdf - Odeon

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The Aspendos theatre has a maximum diameter of about 98 m and it is 26 m high at the top of the<br />

gallery. The slope of the cavea is 33° and the seating capacity is estimated in about 15000<br />

spectators.<br />

Unfortunately, during the acoustical measurements, a modern stage was set up in the orchestra to be<br />

used for a dance performance. This structure had the back wall made of mirrors, which inevitably<br />

produced a marked reflection in some of the source-receiver position. Analyzing the acquired<br />

impulse responses and comparing the acoustical parameters also with those acquired in other<br />

theaters, we could verify that the sound field was not greatly altered and the measurements results<br />

are valid anyway.<br />

2.2 The Jerash Theatre<br />

Figure 1. Aspendos Theater<br />

The Jerash theatre is situated in Jordan, north of Amman. Only one of the stage wall storeys remains<br />

today but the cavea is almost totally conserved. The Jerash theatre has not trace of a covered aisle in<br />

the upper part of the cavea as it is in Aspendos, but there is a 1.5 m high stage in front of the skene.<br />

The theatre has a diameter of about 63 m and it is 20 m high at the top of the cavea. The cavea slope<br />

is 43° and about 5000 people can sit on its tiers of steps.<br />

Figure 1. Aspendos Theatre<br />

3 MEASUREMENTS SETUP<br />

For both the measurements campaigns the same measurements setup was utilized. Two different<br />

types of microphone, useful both to measure the acoustical parameters and to acquire signals for<br />

different auralization techniques were used to record the impulse responses: a B-format microphone<br />

Soundfield ST250 and a binaural probe Neumann KU100. The first microphone give as output<br />

28

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