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ERATO Proceedings Istanbul 2006.pdf - Odeon

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Table 1. Theaters and odea to work on at the <strong>ERATO</strong> Project<br />

Theaters<br />

Odea<br />

Aspendos (Turkey) Aphrodisias (Turkey)<br />

Jerash South (Jordan) Aosta (Italy)<br />

Syracuse (Italy)<br />

Among these, Aspendos Theater and Aphrodisias <strong>Odeon</strong> have been chosen for a combined visual<br />

and acoustical virtual reconstruction. In order to contribute to their reality, recent color records of<br />

the Aspendos Theater and Aphrodisias <strong>Odeon</strong> were also realized. Color records of mentioned<br />

buildings and Jerash Theater, are presented in this paper. But first of all, a wide broad definition of<br />

color including its components, systems, ways of measurements etc. is given in order to emphasize<br />

important role of color documentation in virtual restitution and conservation works.<br />

2 COLOR, COLOR SYSTEMS and COLOR MEASUREMENT<br />

2.1 Color<br />

Definition of the color and color perception process was clarified and gained certitude with the<br />

widening of the knowledge at the field of light and visual perception. Within the time covering<br />

predominantly 15th -19th centuries prevailing up to modern time, it was introduced that the color is<br />

one of the information that the light conveys to our eyes and color perception is a part of the visual<br />

perception. The transformation of such visual information into meaningful perceptions happens<br />

through a series of processes.<br />

The International Commission on Illumination (CIE) defines “the color stimuli” as a visible<br />

radiation entering the eye and producing a sensation of color, either chromatic or achromatic [3].<br />

Just as, it was determined that human eye has the ability of distinguishing ten billion color stimulus<br />

(Fig. 2). A color perception results from the complex interaction of many factors including the<br />

characteristics of the object or light source, the light incident on an object, the surround, the viewing<br />

direction, observer characteristics and the observer’s adaptation. Dependent on the features of the<br />

mentioned factors, the character of the color perception (nature of the stimulus) is called “perceived<br />

color” The perceived color, the color perceived as belonging to an object or light source, is<br />

something perceived instantaneously [4].<br />

In other words, the light comes to the eye either directly from a light source or by reflecting /<br />

transmitting from an object and forms a color impression (perceived color) depending on the<br />

conditions of the moment (Fig. 3). The matter is the perception process of the color properties that<br />

the light conveys and arisen color impressions. For example, the reason of the yellow color of a pear<br />

is that it reflects yellow light or the reason of the green color of a leaf is that it reflects green light.<br />

On the other hand, it is obvious that when the color property of light illuminating an object changes,<br />

perceived color of the object will also change (Fig. 4).<br />

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