second year course outlines 2012-2013 - School of Social Sciences ...

More documents

Recommendations

Info

Robert Stecker “Interpretation and The Problem of the Relevant Intention” Chapter 17 in Matthew Kieren (ed) Contemporary Debates in Aesthetics and the Philosophy of Art (Blackwell, 2006) William Tolhurst, ‚On What a Text Is and How it Means’, BJA 19 (1979). Richard Wollheim, ‘Criticism as Retrieval’, in Art and Its Objects (C.U.P., 1980). Daniel Nathan “Art, Meaning and Artist’s Meaning” in Matthew Kieren (ed) Contemporary Debates in Aesthetics and the Philosophy of Art (Blackwell, 2006) WEEK 7: EVALUATION Tutorial Texts George Dickie “Iron, Leather and Critical Principles” (Chapter 20 in Kieran (ed)). David Hume, `Of the Standard of Taste', http://www.csulb.edu/~jvancamp/361r15.html. Further Reading Noel Carroll, ‘Hume's Standard of Taste’, JAAC 43 (1985). Theodore Gracyk, ‘Rethinking Hume's Standard of Taste’, JAAC 52 (1994). Peter Kivy, ‘Hume's Standard of Taste: Breaking the Circle’, BJA 7 (1967). Jerrold Levinson, ‘Hume’s Standard of Taste: The Real Problem’, JAAC 60 (2002). John McDowell, ‘Values and Secondary Qualities’, in Ted Honderich (ed.), Morality and Objectivity: A Tribute to John Mackie (Routledge, 1981); reprinted in his Mind, Value and Reality (Harvard U.P., 1998). Philip Pettit, ‘The Possibility of Aesthetic Realism’, in Eva Schaper (ed.), Pleasure, Preference and Value (C.U.P, 1983); reprinted in Lamarque and Olsen. Nick Zangwill, ‘Aesthetic Realism 1’, in Levinson (ed.), The Oxford Handbook of Aesthetics. John Bender, ‘Aesthetic Realism 2’, in Levinson (ed.), The Oxford Handbook of Aesthetics. Alan Goldman “There are No Aesthetic Principles” (Chapter 19 in Kieran (ed)). John McDowell, ‘Aesthetic Value, Objectivity and the Fabric of the World’, Eva Schaper (ed.), Pleasure, Preference and Value (C.U.P, 1983); reprinted in his Mind, Value and Reality (Harvard U.P., 1998). WEEK 8: MUSICAL EXPRESSION Tutorial Texts Jerrold Levinson, ‘Musical Expressiveness as Hearability-as-Expression’, in Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art (Blackwell, 2005); Derek Matravers, ‘Musical Expressiveness’, Philosophy Compass 2 (2007), http://www3.interscience.wiley.com.resourceproxy.manchester.ac.uk/cgi-bin/fulltext/117982800 Further Reading Paul Boghossian, ‘On Hearing the Music in the Sound,” JAAC 59 (2001). 74
Malcolm Budd, ‘Music and the Communication of Emotion’, JAAC 47 (1989). Malcolm Budd, Values of Art (Penguin, 1995), 133-57. Noel Carroll, The Philosophy of Art (Routledge, 1999), Ch. 2, esp. 79-105. Stephen Davies, ‘Music’, in Levinson (ed.), The Oxford Handbook of Aesthetics. --- (1994), Musical Meaning and Expression (Ithaca: Cornell University Press). --- (2006) “Artistic Expression and The Hard Case of Pure Music” (Chapter 11 in Kieran (ed)). Peter Kivy, Introduction to a Philosophy of Music (O.U.P., 2002), Ch 3. Jerrold Levinson, ‘Musical Expressiveness’, in his The Pleasures of Aesthetics (Cornell U.P., 1996). Reprinted in his Contemplating Art (available through Oxford Scholarship Online). Dominic Lopes (2005), Sight and Sensibility (Oxford: Oxford University Press), Chapter 2. Derek Matravers, ‘The Experience of Emotion in Music’, JAAC 61 (2003). Aaron Ridley, The Philosophy of Music: Themes and Variations (Edinburgh U.P., 2004), Introduction, Ch. 3. Sircello, Guy (1995), 'Expressive Properties of Art', in Alex Neill and Aaron Ridley (eds.), The Philosophy of Art: Readings Ancient and Modern (Boston: McGraw Hill), 164-82. Jenefer Robinson, ‘The Expression and Arousal of Emotion in Music’, JAAC 52 (1994) Roger Scruton, ‘The Nature of Musical Expression’ in his The Aesthetic Understanding (Methuen, 1983). Stecker, Robert (1984), 'Expression of Emotion in (Some of) the Arts', Journal of Aesthetics and Art Criticism, 42 (4), 409-18. --- (2001), 'Expressiveness and Expression in Music and Poetry', Journal of Aesthetics and Art Criticism, 59 (1), 85-96. WEEK 9: PHOTOGRAPHY AND VISION Tutorial texts Walton, Kendall. "Transparent Pictures: On the Nature of Photographic Realism." Critical Inquiry 11 (1984): 246-77. Currie, Gregory. "Photography, Painting and Perception." Journal of Aesthetics and Art Criticism 49 (1991): 23-29 Further reading Abell, Catharine. “The Epistemic Value of Photographs” in Abell and Bantinaki (eds) Philosophical Perspectives on Depiction. Oxford: Oxford University Press, 2010. 75
Page 1 and 2:
SECOND YEAR COURSE OUTLINES 2012-20
Page 3 and 4:
FACULTY OF HUMANITIES SCHOOL OF SOC
Page 5 and 6:
Learning Outcomes On successful com
Page 7 and 8:
TOTAL: 200 hours Prompt arrival at
Page 9 and 10:
For further details please see the
Page 11 and 12:
All reading lists are for guidance
Page 13 and 14:
Makin, Gideon. The Metaphysicians o
Page 15 and 16:
Beiser (ed.) Cambridge Companion to
Page 17 and 18:
Sluga, Hans, Frege [an intermediate
Page 19 and 20:
Required Readings 1. Russell, ‘De
Page 21 and 22:
Klement, Kevin. ‘Russell’s Logi
Page 23 and 24: WEEK 6. READING WEEK: NO LECTURES O
Page 25 and 26: Putnam, ‘“Two Dogmas” Revisit
Page 27 and 28: Brain McLaughlin, ‘Anomalous Moni
Page 29 and 30: Loux, Michael and D. Zimmerman (eds
Page 31 and 32: 5. How much of Russell’s theory o
Page 33 and 34: Summary We will focus on the metaph
Page 35 and 36: Students should consult the Univers
Page 37 and 38: (3) What is the best formulation of
Page 39 and 40: Davidson, D. 1970. Mental events. I
Page 41 and 42: aspects of the work of some of the
Page 43 and 44: You are also required to keep an el
Page 45 and 46: essays and exam answers. We also dr
Page 47 and 48: follow. Reading the secondary liter
Page 49 and 50: accepting others. However, the view
Page 51 and 52: experience? Some have argued that o
Page 53 and 54: Heidegger right to claim that the p
Page 55 and 56: Kelly, S. 1999. What do we see (whe
Page 57 and 58: The Topic Decartes remarked that he
Page 59 and 60: which the body is considered as a m
Page 61 and 62: Priest, S. 2000. The Subject in Que
Page 63 and 64: FACULTY OF HUMANITIES SCHOOL OF SOC
Page 65 and 66: 3. COURSE ORGANISATION Lectures: Mo
Page 67 and 68: ASSESSED ESSAYS One essay of 2,500
Page 69 and 70: Penalties for late submission of es
Page 71 and 72: WEEK-BY-WEEK READING LIST This li
Page 73: WEEK 5: INTERPRETATION Tutorial Tex
Page 77 and 78: 8. SAMPLE EXAM PAPER (for guidance
Page 79 and 80: Communication: Students must read t
Page 81 and 82: • Complete written work on time F
Page 85 and 86: We also draw your attention to the
Page 89 and 90: another reason you should tell your
Page 91 and 92: Week 9 (beginning 15 th April) Week
Page 95 and 96: failure to meet the work and attend
Page 97 and 98: is not obliged to read anymore than
Page 99 and 100: Return of assessed essays A report
Page 101 and 102: Ayers, M. R. Locke, (Routledge, 199
Page 103 and 104: Examination period: Monday 13 th Ma
Page 105 and 106: Texts recommended for purchase: It
Page 109 and 110: questions to the lecturer/tutor; as
Page 111 and 112: Raz J. (1999) ‘The central confli
Page 113 and 114: Velleman J. D. (1992) ‘The Guise
Page 115 and 116: Kant I. Foundations of the Metaphys
Page 117 and 118: Rachels J. (ed.) Ethical Theory 2:
Page 119 and 120: ! Parfit D. (1984) Reasons and Pers
Page 121 and 122: FACULTY OF HUMANITIES SCHOOL OF SOC
Page 123 and 124: Scientific realism: should we belie
Page 125 and 126:
The University’s Academic Standar
Page 127 and 128:
Ryle thought that the word ‘exist
Page 129 and 130:
organisation 2 4 Feb What is scienc
Page 131 and 132:
Thagard, P. 1978. ‘Why astrology
Page 133 and 134:
See §3 of the reading list on the
Page 135:
Week 11: The ethics of scientific e
show all

second year course outlines 2012-2013 - School of Social Sciences ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?