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Owners Manual (GR-55_OM.pdf) - Roland

Owners Manual (GR-55_OM.pdf) - Roland

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Settings for the Entire <strong>GR</strong>-<strong>55</strong> (SYSTEM)<br />

Tab Parameter Value Description<br />

PICKUP<br />

PU DIRECTION<br />

S1/S2 POSITION<br />

NORM PU GAIN<br />

PIEZO TONE LOW<br />

PIEZO TONE HIGH<br />

Specifies the direction in which the divided pickup is attached.<br />

NORMAL<br />

The cable extends from the side of the 6th string.<br />

REVERSE<br />

The cable extends from the side of the 1st string.<br />

Swaps the functions of the [S1] and [S2] buttons of the GK-3 or GK-2A.<br />

NORMAL<br />

The switches will not be swapped.<br />

REVERSE<br />

The functions of the [S1] and [S2] buttons will be swapped.<br />

Adjusts the input level of the normal pickup.<br />

-20–+20 dB<br />

When making this setting, set the GK pickup’s select switch to “MIX.”<br />

Adjusts the low-frequency range<br />

-10–+10 dB<br />

* This setting applies if the PU TYPE is set to “PIEZO,” “PIEZO F,” “PIEZO G,” “PIEZO<br />

L,” or “PIEZO R.”<br />

Adjusts the high-frequency range.<br />

-10–+10 dB<br />

* This setting applies if the PU TYPE is set to “PIEZO,” “PIEZO F,” “PIEZO G,” “PIEZO<br />

L,” or “PIEZO R.”<br />

If GUITARBASS is set to “GUITAR” (p. 9)<br />

Specifies the distance between the divided pickup and the bridge.<br />

10.0–30.0 mm<br />

This setting is ignored if the PU TYPE is set to “PIEZO,” “PIEZO F,” “PIEZO G,” “PIEZO L,” or<br />

DISTANCE<br />

PUBRIDGE<br />

“PIEZO R.”<br />

If GUITARBASS is set to “BASS” (p. 9)<br />

5.5–<strong>55</strong>.5 mm<br />

Specifies the distance between the divided pickup and the bridge.<br />

This setting is ignored if the PU TYPE is set to “PIEZO,” “PIEZO G,” or “PIEZO R.”<br />

SENSITIVITY SENS 0–100 Specifies the input sensitivity of the divided pickup.<br />

Adjusts the sensitivity of the PCM tone’s volume (velocity) change.<br />

VELOCITY DYNAMICS 1–10<br />

The further you raise this setting, the more easy it becomes to produce higher values<br />

for velocity.<br />

Adjusts the volume (velocity) change curve of the PCM tone.<br />

The lower-numbered settings give you a wider range of volume change in response<br />

VELOCITY<br />

to your picking dynamics.<br />

PLAY FEEL 1–5<br />

With higher-numbered settings, the volume becomes more consistent regardless of<br />

your picking dynamics.<br />

The “5” setting gives you a completely fixed velocity.<br />

LOW VELOCITY CUT 0–10<br />

Adjust this if simply touching a string causes a note to be unintentionally triggered.<br />

Raising this value will make it more difficult to trigger notes.<br />

These settings adjust the way in which Nuance (p. 28) responds to your playing.<br />

Adjust these settings so that the level meter reaches the maximum position when you play with the softest touch, and so that the level meter does<br />

not move very much when you play normally.<br />

NUANCE<br />

Adjusts the sensitivity at which Nuance occurs. Higher settings will make it easier to<br />

NUANCE DYNAMICS 0–10<br />

produce the Nuance effect.<br />

NUANCE TRIM 0–10<br />

Specifies the threshold value at which Nuance occurs. If the Nuance effect occurs<br />

more often than you would like with normal playing, lower this value.<br />

DOWN TUNE SHIFT 0– -5<br />

If the guitar/bass you’re using has been tuned down, specify the number of<br />

chromatic steps by which it has been down-tuned.<br />

OUTPUT SELECT<br />

Parameter Value Description<br />

OUTPUT SELECT<br />

LINE/PHONES<br />

JC-120<br />

SMALL<br />

C<strong>OM</strong>BO<br />

STACK<br />

JC-120 RETURN<br />

C<strong>OM</strong>BO RETURN<br />

STACK RETURN<br />

B-AMP WITH TWEETER<br />

B-AMP NO TWEETER<br />

Choose this setting if you’re using headphones, or if the <strong>GR</strong>-<strong>55</strong> is connected to a keyboard amp, bass amp,<br />

mixer, or digital recorder.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to the guitar input of a <strong>Roland</strong> JC-120 guitar amp.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to a small guitar amp.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to the guitar input of a combo-type guitar amp (a type in<br />

which the amp and speaker are in a single unit) other than the JC-120. Depending on the amp you’re<br />

using, the “JC-120” setting might produce better results.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to the guitar input of a stack-type guitar amp (a type in which<br />

the amp and speaker are separate units).<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to the JC-120’s RETURN jack.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to a combo-type guitar amp’s RETURN jack.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to the RETURN jack of a stack-type guitar amp. You should<br />

also choose the “STACK RETURN” setting if you’re using a guitar power amp together with a speaker<br />

cabinet.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to a bass amp that has a tweeter.<br />

Choose this setting if the <strong>GR</strong>-<strong>55</strong> is connected to a bass amp that does not have a tweeter. The highfrequency<br />

range will be corrected.<br />

75

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