derive from Kane' famou nighttime traverse <strong>of</strong> Lake Huron from Mackinac to Sault Sainte Marie (see later) or from the fact that he was frequently seen with pencil or brush in b<strong>and</strong>. But bucMr also ~ refer to tumbering a bucMron beina a logger or lumbetjack. Olven ~t the episode <strong>of</strong> me journal In which the name appears deals With the ceremony <strong>of</strong> cutting a lobstick. pine in honor <strong>of</strong> Kane there i a po ible connection to thi meaning. BoucMr a verb mean either to plug up if Kane were talkative, thi meaning could apply ironically. A a. noun, it means butcher. In t<strong>his</strong> Latter sense, the name might derive from <strong>Kane's</strong> infamous exploits as a hunter, me shooting <strong>of</strong> the bull at the buffalo hunt providing one example that suggests that hunting was not <strong>his</strong> forte. Bouchie, the past participle <strong>of</strong> boucher, means a mouthful or a morsel <strong>and</strong> perhaps t<strong>his</strong> would refer to <strong>Kane's</strong> short stature. In any c::se, it would seem that the name descn'bes one or another rather strong feature <strong>of</strong> <strong>Kane's</strong> personality. For another theory on the origin <strong>of</strong> <strong>Kane's</strong> nickname, see note 5. 5. <strong>Paul</strong>. Kane' s Frontier including W<strong>and</strong>erings <strong>of</strong> an. Artist among the Indians <strong>of</strong> North America, ed., <strong>and</strong> with a biOi. introd. <strong>and</strong> a catalogue raisonne by J. Russen Harper, published for the Amon Carter Museum, Fort Worth, Texas, <strong>and</strong> the National Gallery <strong>of</strong> Canada, Ottawa (Austin, Texas, <strong>and</strong> London, 1971), p. I I. I wi h to acknowledge my indebtedness to the late Pr<strong>of</strong>essor Harper for hi tine work, many details <strong>of</strong> which helped to furnish the present introduction. lbat my view <strong>of</strong> Kane' journal diverge from Harper's is more the consequence <strong>of</strong> a literary <strong>and</strong> art hi torian's different perspectives, than any fundamental disagreement. Another interpretation <strong>of</strong> <strong>Kane's</strong> nickname Bushway may weD be the one <strong>of</strong>fered by Harper (p. 129) which aligns the word with the French bourgeois. 6. Maude Allan Cassens, "<strong>Paul</strong> Kane, ,. typescript dated March, 1932, Department <strong>of</strong> Ethnology, Royal Ontario Museum, Toronto, p.2. 7. Harper, p. 7. S. Ibid., p. 23. 9. For a discussion <strong>of</strong> the bearing <strong>of</strong> t<strong>his</strong> chronological factor on the making <strong>of</strong> <strong>Kane's</strong> book, as weD as a full discussion <strong>of</strong> the bibliographical aspects <strong>of</strong> it, see MacLaren, "Notes Toward a Reconsideration <strong>of</strong> <strong>Paul</strong> <strong>Kane's</strong> An <strong>and</strong> Prose," CaNJdwn Lit~rature, nos. 113-114 (Summer I FaD, 1987), pp. 179- 205. 10. Harper, p. 13 . II. Ibid., p. II. 12. Ibid., Appendjx 6, p. 322. 13. Ibid., Appendix 5, pp. 320-321. 14. Ibid., p. J5. 15. See Henry James Warre, Overl<strong>and</strong> to Oregon in 1845; Impressions <strong>of</strong> a Journey Across North Amen'ca by H. J . Warre, ed. <strong>and</strong> introd. Madeleine Major-Fregeau (Ottawa, 1976); Sketches in North America <strong>and</strong> th~ Oregon Territory, by Captain H . Wa"e. A .D.C. to the lale Comm<strong>and</strong>er oj the Forces (London, <strong>1848</strong>); Sketches in North America <strong>and</strong> the Oregon Territory, by Captain H . Wa"e, A.D.C. to the late Comm<strong>and</strong>er <strong>of</strong> the Forces, introd. by Archibald Hannah Jr. (Barre, Massachusetts, 1970). 16. Harper, p. 17. 17. See MacLaren, "Creating Travel Literature," Papers oj the Bibliographical Society <strong>of</strong> Canada , vol. 27 (1988), forthcoming. IS. The book appeared in an American edition, titled Overla1Ul Round the World during the Years J841 a.1UI 1842 (Philadelphia, 1847). 19. Harper, p. 39, n. 4. 20. <strong>Paul</strong> Kane, "Incidents <strong>of</strong> Travel on the North-West coast, Vancouver's Isl<strong>and</strong>, Oregon, etc.: The Chinook Indians," Canadian <strong>Journal</strong>, vol. III (1854-1855), pp. m-T79. The American Art <strong>Journal</strong>/Volume XXI • Number 2 21. Cas U , p. 16. 22.0nOctober6 1847, Kane write <strong>of</strong> the bripdebrealtingcamp at a "boan" (bon: good) • our' (hour), they paddJ up the Columbia River to i Dorthernmo t point, which Kane refe to both .'Boat incumpment" (Boat encampm nl) <strong>and</strong> •• umpm nt de Barge." 23. ell , p. 16. 24. See amuel Black, A Journol <strong>of</strong> a Vuyag~from Rocky Mountain Portage in Peace River to the Sources <strong>of</strong> Finlays Branch <strong>and</strong> North We.!t Ward in summu 1824. ed. E . E. Rich <strong>and</strong> A. M . Johnson, introd. R. M. Patterson, Publications <strong>of</strong> the Hudson' Bay Record Society, vol. x.viii (London, 1955); Pel~r SUM Ogden's Snau Country <strong>Journal</strong>s /824- 25 <strong>and</strong> 1825- 26, ed' E. E. Rich <strong>and</strong> A. M. John on, introd. Bun Brown Barker, Publications <strong>of</strong> the Hudson' Bay Record Society, vol. xili(Lon on, 1950); To the Arctic ITy Canoe 1819-1821: The <strong>Journal</strong> <strong>and</strong> Painting.! <strong>of</strong> Robert Hood, MidJhipman with FranJdin , ed. C. stuart Houston (Montreal <strong>and</strong> London, 1974); <strong>and</strong> With Pen <strong>and</strong> Pencil on the Frontier in 1851: The Diary <strong>and</strong> Sketches <strong>of</strong> Frank Blackwell Mayer, ed .• with an lotrod. <strong>and</strong> nole Bertha L. Heilbron, fwd. Thomas O 'Sullivan (St. <strong>Paul</strong>, Minnesota, 1986). 25. Heather Dawkins, '<strong>Paul</strong> Kane <strong>and</strong> the Eye <strong>of</strong> Power. Racim in Canadian Art <strong>History</strong>." Vanguard, vol. 15, no. 4 (September, 1986), p. 27. 26. <strong>Paul</strong> Kane, W<strong>and</strong>erings <strong>of</strong> an Artist Among the Indians <strong>of</strong> North Americafrom CanadtJ to Vancouver's Isl<strong>and</strong> <strong>and</strong> Oregon through The Hudson's Bay Company's Territory <strong>and</strong> Back Again (1859), rev. ed., ed. John W. Garvio, introd.l..awrence W. Burpee (Toronto, 1925); facs. rpt., introd. J. G. MacGregor (Edmonton., 1968), p. I xii. All references to Wa1Ulerings <strong>of</strong> an Anist will depend upon the facsimile reprint <strong>of</strong> the revised edition <strong>and</strong> appear in parentheses in the text. 27. DavidC. Hunt, Legacy <strong>of</strong> the W~st(Omaha.ebraska , 1982), p.S. 28. T<strong>his</strong> woman i not named in W<strong>and</strong>erings in the description <strong>of</strong> <strong>Kane's</strong> meeting her in July. <strong>1846</strong>. Her name first appears in the boo on July 26, <strong>1848</strong>. T<strong>his</strong> problem is discussed in the 'Guide to the People <strong>and</strong> P!aces in <strong>Kane's</strong> <strong>Journal</strong>; see entry for "the constant sae. " There appear to be two sketches <strong>of</strong> The Constant Sky, one a watercolor <strong>and</strong> one an oil on paper, <strong>and</strong> two paintings, both oil on canvas. Only three are mentioned by Harper (238) because the St.ark Museum acquired its oil painting only after Harper's study appeared. Further complicarions arise because the olk>n-paper sketch ~ to have disappeared. although Harper evidently saw it. Curiously. he gives its provenance as the coUection <strong>of</strong> <strong>Paul</strong> Kane IV, the only such listing in <strong>his</strong> entire catalogue raj nne. However, Mrs. <strong>Paul</strong> Kane m, the oldest living member <strong>of</strong> the Kane family. <strong>and</strong> her daughter assure me that Harper never met <strong>Paul</strong> Kane IV, who died in 1954, <strong>and</strong> who, furthermore? owned no paintings or sketches by Kane. Harper does not mean <strong>Paul</strong> Kane ill, who was no longer living When <strong>Paul</strong> KtmL's Frontier (1971) was published. Harper identifies any paintings in the possession <strong>of</strong> the Ka& fumi)y at that time as "coOn Mrs. <strong>Paul</strong> Kane m." Thus, where the sketch was when Harper saw i4 <strong>and</strong> whaI has become <strong>of</strong> it. remain a mystery. 29. T<strong>his</strong> trip occurred by York boat, rather than canoe, since Governor Simpson had introduced the use <strong>of</strong> these large, unromantic - because they were rowed rather than paddled - but safe <strong>and</strong> efficient cargo carriers wherever stream <strong>and</strong> lake conditions pennitted. TIle Alhabasca <strong>and</strong> Columbia rivers also allowed for travel by York boat. 30. A mountain <strong>and</strong> a glacier along t<strong>his</strong> route, the Athabasca Pass, were named for Kane in 1921 by A. O. Wheeler, Founder <strong>of</strong> the Alpine Club <strong>of</strong> Canada. 31. Harper, p. 22. 21
<strong>Paul</strong> Kane. PIN PORTAGE. May, <strong>1846</strong>. Oil on paper, 8 1 /3 x /3'/4". Collection, Stark Museum oj An.
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Ea MAP TO ILLUSTRATE in the TERR1TO
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Dam has transfonned this stretch of
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I • La hed (" Otter Head" in WA [
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his right hand. He was noted as the
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Paul Kane. NORWAY HOUSE. July or Au
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Winnipeg, to which it is connected
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George Simpson to open a trail from
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·\ .. { Paul Kane. WHITE MUD PORTA
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Selected Bibliography The author wi
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Index Allan, George William, 8-9. 2
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Mayer, Frank BlackweD, 14,21n. Mear
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