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Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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At first the roundtable was dedicated to the presentati<strong>on</strong> of the<br />

participants, each <strong>on</strong>e trying to synthetize his cultural background and<br />

current preoccupati<strong>on</strong>s. Especially complex and significant were the<br />

experiences and points of view developed by Rasheed Araeen (Pakistani<br />

artist living and working in L<strong>on</strong>d<strong>on</strong>), Homi Bhabha (Indo-British scholar<br />

living and teaching in Great Britain), Bernice MUrphy (Australian curator<br />

working for a l<strong>on</strong>g time with Aboriginal people and so-called cultural<br />

minorities), and Piedad de Ballesteros (Colombian curator insisting <strong>on</strong> the<br />

emergency of restoring a positive image of Colombian culture now<br />

tragically reduced to political violence, M:=dellin cartel, and drug war) •<br />

Impatient, as many of us, with the multiplicati<strong>on</strong> of "internati<strong>on</strong>al<br />

exhibiti<strong>on</strong>s" and the globalizing visi<strong>on</strong> they imply, de Ballesteros<br />

proposed a methodological reflecti<strong>on</strong> and a new attenti<strong>on</strong> <strong>on</strong> unexpected<br />

cultural issues and c<strong>on</strong>texts created by diasporic c<strong>on</strong>diti<strong>on</strong>s as well as by<br />

nee-nati<strong>on</strong>alistic <strong>on</strong>es. As she pointed out:<br />

"The binary noti<strong>on</strong>s of<br />

cultural process, expressed and recycled c<strong>on</strong>tinually in the regular<br />

oppositi<strong>on</strong>s of such tenns as periphery/center, regi<strong>on</strong>/capital,<br />

village/metropolis, east/west, rural/urban, col<strong>on</strong>y/imperial power, need a<br />

radical restructuring -- in fact, to be exploded open -- to begin to<br />

accomodate the more complex c<strong>on</strong>diti<strong>on</strong>s of a vast variety of circumstances<br />

in c<strong>on</strong>temporary cultural experiences."<br />

-110-

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