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Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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INTERNATIONAL EXHIBITIONS AND THE HOST COUNTRY<br />

How can internati<strong>on</strong>al exhibiti<strong>on</strong>s be made more effective<br />

for the host country, particularly when they occur<br />

outside major western centers<br />

Moderator:<br />

Panelists:<br />

Paulo Herkenhoff, Brazil<br />

Rosemary Andrade, Swaziland<br />

Nemesio Antunez, Chile<br />

David Elliott, Great Britain<br />

Claude Gosselin, Canada<br />

Jorge Helft, Argentina<br />

Katalyn Neray, Hungary<br />

Felix Padilla, Philippines<br />

Cesar Trasobares, USA<br />

Vladimir Vajda, Yugoslavia<br />

Paula Latos-Valier, Australia<br />

Patricio Munoz Vega, Ecuador<br />

Either a tree or a televisi<strong>on</strong> network might be the new space needed<br />

for art to reach its audience, according to the present cultural standards<br />

of a particular society. Each host country is unique and should be<br />

treated as such, for expanding inteJ:;n~ti<strong>on</strong>alism should not mean the<br />

destructi<strong>on</strong> of diversity. In Africa, for instance, a tree might be an<br />

important space for the direct c<strong>on</strong>tact between the artists, a work of art<br />

under its shadow, and the community.<br />

The group chose to reflect <strong>on</strong> pragmatic aspects, deciding that other<br />

groups were dealing with some more c<strong>on</strong>ceptual aspects of the expanding<br />

internati<strong>on</strong>alism. The participants chose to look at the different<br />

internati<strong>on</strong>al exhibiti<strong>on</strong>s in regard to the role of the host countries, and<br />

to c<strong>on</strong>sider the basic questi<strong>on</strong> of how internati<strong>on</strong>al exhibiti<strong>on</strong>s be made<br />

more effective for the host country.<br />

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