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Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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exhibiti<strong>on</strong>s both at home and when shown abroad Would touring<br />

nati<strong>on</strong>al group or biennial exhibiti<strong>on</strong>s based <strong>on</strong> regi<strong>on</strong>al/local<br />

interests offer a soluti<strong>on</strong> of some kind Creati<strong>on</strong> of yet another<br />

internati<strong>on</strong>al exhibiti<strong>on</strong> in an already highly politicized art world<br />

did not seem to be <strong>on</strong>e of the soluti<strong>on</strong>s.<br />

o What work should be presented in countries that have a limited<br />

exposure to work from outside Questi<strong>on</strong>s c<strong>on</strong>cerning c<strong>on</strong>text, the<br />

absence of knowledge, and a clearly articulated aim were discussed in<br />

the same breath as the need to understand the audiences.<br />

o How do we select artists for productive internati<strong>on</strong>al exhibiti<strong>on</strong>s Is<br />

quality a valid criteria or is there some other intellectual discourse<br />

more effective here<br />

o The reality of expenses and time involved in selecti<strong>on</strong> of a work and<br />

its eventual ... p:r:esentati<strong>on</strong> is another major i$S}Je !. WJ}~y~;-.EC1YS for<br />

the exposure of work will also indirectly determine what will be shown<br />

and where.<br />

III. New forums that, <strong>on</strong> the <strong>on</strong>e hand, would open doors to the "Other"<br />

and, <strong>on</strong> the other hand, utilize existing resources to create meaningful<br />

opportunities for the artists and meaningful experiences for a variety of<br />

audiences.<br />

The following c<strong>on</strong>cepts appeared at the top of the list when we<br />

c<strong>on</strong>sidered a productive east-west-north-south (rather than just<br />

north-west) dialogue:<br />

artists' residencies, "laboratory" shows, and<br />

focused major internati<strong>on</strong>al exhibiti<strong>on</strong>s.<br />

-135-

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