Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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TABLE OF CONTENTS I. Foreword 1 Jane M. Gullong II. Introduction 5 Mary Jane Jacob III. Opening Remarks 13 Sheila Avrin McLean IV. Keynote Speeches Simultaneous Translation: Mbdernity and the Inter-national 21 Homi K. Bhabha The Verb "Curate" 35 Guy Brett V. Position Papers Aracy A. Amaral (Brazil) Ermlanuel Nnakenyi Arinze (Nigeria) Piedad de Ballesteros (Colombia) Ma.rk Francis (Great Britain/United States) Guillermo GOmez-P~a (United States) Ma.rina Grzinic (Yugoslavia) Beral Madra (Turkey) Jean-Hubert Martin (France) Gerardo M::>squera (Cuba) Bernice Murphy (Australia) David A. Ross (United States) Ryszard Stanislawaki (Poland) Vladimir Vadja (Yugoslavia) 51 57 63 67 69 73 79 83 85 87 91 95 97 VI. Moderators' Summaries of Roundtable Discussions VII. Multiculturalism Kinshasha Holman Conwill The Other catherine David International Exhibitions Today Lynn Gumpert International Exhibitions and the Host Country Paulo Herkenhoff New Forums Milena Kalinovska List of Participants 103 109 113 123 130 141
Page 1: EXPANDING INTERNATIONALISM A <stron
Page 6 and 7: The conference was conceptualized a
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Page 10 and 11: invited were those who play an acti
Page 12 and 13: meaningless without fresh thinking
Page 14 and 15: Lynn Gumpert, an independent curato
Page 16 and 17: Immediate results from this meeting
Page 18 and 19: known program is the Fulbright Exch
Page 20 and 21: need to acknowledge the cultural di
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Page 26 and 27: In the "international" mode -- if I
Page 28 and 29: "authentic," pure cultural particul
Page 30 and 31: Too often the argument takes a mora
Page 32 and 33: dialecticize the asymmetrical relat
Page 34 and 35: ethical world in which we live. To
Page 36 and 37: substantially intervenes into those
Page 38 and 39: similar to the profonnd shift in th
Page 40 and 41: the name of art, but what happens w
Page 42 and 43: works in the same spirit whether he
Page 44 and 45: Americans and European settlers, th
Page 46 and 47: One of the ways in which I think so
Page 48 and 49: Mbre recently the Chilean-Australia
Page 50 and 51: factor of the "support" is almost a
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Art in Brazil changed dramatically
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well as in Latin .America--and we d
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artists from the "hegemonic centres
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These questions need to be addresse
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Management of International Exhibit
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6. International exhibitions should
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Internationalism,
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~ The three important international
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Some of the "international" exhibit
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"Multicultural" is the hip word of
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If we try to make a more exact defi
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The question still to be answered r
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seeds of the art market, the search
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the future, but the real need of th
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it is this desire to transgress "th
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symposia, artists' workshops, and m
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We may watch the same satellite new
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instance -- federalizing twenty dif
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For many artists, the re-emergence
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I fear that the wealth of contempor
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internationalism unfortunately seem
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the concern in canada for the repre
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prestige of their countries/culture
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At first the roundtable was dedicat
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Chris Dercon (Director of Witte de
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he was still at the Japan Foundatio
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developed, since the big, world exp
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didn't see a show, but knows it thr
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for this are better in their own cu
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The international exhibitions shoul
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other hand, such exhibitions are th
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There is a need to establish a dial
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We also kept in mind and touched on
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instance censorship in the arts in
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o International artists' residencie
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Paula Latos-Valier Director Art Gal
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IV. NORTH AMERICA Canada Manon Blan
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Michael Kirrmelman Critic New York
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Venezuela Maria Elena Ramos Directo
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Netherlands Chris Dercon Director C
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Omar Bwana P.O. Box 40658 Nairobi,
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Director Taipei Fine Arts Museum 18
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Mrs. Tisa Ng Deputy Director, Festi
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