Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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IV. NORTH AMERICA Canada Manon Blanchette Chief Curator MUsee d'art contemporain de MOntreal Cite du Havre MOntreal, Quebec H3C 3R4 Canada tel. 514-873-2878 Bruce Ferguson Independent curator and critic Apt. 4S 12 East 12th Street New York, New York 10003 tel. 212-645-8850 Claude Gosselin Director Centre International D'Art Contemporain de MOntreal C.P. 760 Place du Pare :Montreal H2W 2P3, Quebec tel. 514-288-0811 fax. 514-288-5021 Dr. Roald Nasgaard Chief Curator Art Gallery of Ontario 317 Dundas Street West MST 1G4 Toronto tel. 416-979-6627 ~ico Helen Escobedo Sculptor Av. San Jeronimo 162-A ~ico D.F., 20 01010 ~ico tel. 905-548-3290 United States Kinshasha Holman Conwill (moderator) Executive Director Studio Museum in Harlem 144 West 125th Street New York, New York 10026 tel. 212-864-4500 fax. 212-666-5753 -144-
Mark Francis Curator of Contemporary Art Carnegie Museum of Art 4400 Forbes Avenue Pittsburgh, Pennsylvania 15213 tel. 412-622-3273 fax. 412-622-3112 Gary Garrels Director of Programs Dia Art Foundation 155 Mercer Street New York, New York 10012 tel. 212 431 9232 Suzanne Ghez Director The Renaissance Society The University of Chicago 5811 S. Ellis Avenue Chicago, Illinois 60637 tel. 312 702 8670 fax. 312-702-9669 Lynn Gufn.pert (moderator) Independent Curator 151 West 28th Street, Apt. 4E New York, New York 10001 teL .. 212-563-7893 fax 212-643-0069 Mary Jane Jacob Independent Curator 707 West Junior Terrace Apartment 10 Chicago, IL 60613 tel. 312-348-3353 fax 312-348-0647 Kellie Jones Independent Curator 39 East 17th Street #2J Brooklyn, New York 11226 tel. 718-826-0061 Milena Kalinovska (moderator) Independent Curator 905 French Street NW Washington, D.C. 20001 tel. 202-332-3585 fax. 202-898-0445 -145-
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EXPANDING INTERNATIONALISM A <stron
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FOREWORD Arts International, a divi
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the printing 1 publication and wide
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INTRODUCTION International exhibiti
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discipline of training to the theor
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Catherine David, Curator at the Jeu
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world through which change can be i
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OPENING REMARKS AT THE PLENARY SESS
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Second, Arts International also man
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alliances among individuals from di
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-19-
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SIMULTANEOUS TRAN"SIATION: :MJDERNI
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"borderline" between and within nat
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homogeneity achieved by "national"
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In many instances, despite the invo
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show. Conceptually it is more probl
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can be secured. At this point we be
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criticism of Roberto Retamar "which
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THE VERB "CURATE" Guy Brett I speak
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people comnented, was to polarize "
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operating with devastating effect i
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saw for the first time the drawings
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pieces of Pueblo pottery made by wo
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model of art as the only one proper
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other works too, in other assemblie
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POSITI
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Aracy A. Amaral Art Critic, Indepen
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or her eyes and his or her percepti
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Even in South America the art marke
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"Multi -Cultural Representation of
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4. opening up new opportunities and
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The African situation again has all
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Piedad de Ballesteros Director of P
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The fact that the selection is made
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Mark Francis Curator of Contemporar
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"The Multicultural Paradigm" (from
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Dialog is a micro-universal express
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"Multiculturalism" by :Marina Grzin
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themselves as Kazimir Malevich. In
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The effect of these quotations, rep
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"Notes on Internationalism<
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trends, inspirations consumed from
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Jean-Hubert Martin / Director MUsee
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Gerardo MOsquera Cuarta Bienal de l
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Bernice Murphy Assistant Director a
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the atrophying configuration of man
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David A. Ross Director The Institut
Page 97 and 98: Art is not a competitive sport, and
Page 99 and 100: Ryszard Stanislawski Director, Muze
Page 101 and 102: "What is International" by Vladimir
Page 103 and 104: venues just for the sake of it, but
Page 105 and 106: SlMWUES CF ROONDTABIE DISCUSSICNS -
Page 107 and 108: MULTICULTURALISM What Role Does MUl
Page 109 and 110: of other cultures and how such noti
Page 111 and 112: labels "Brazilian" or "Flemish." Ot
Page 113 and 114: THE OTHER How do we represent other
Page 115 and 116: At that point Araeen criticized the
Page 117 and 118: INTERNATIONAL EXHIBITIONS TODAY Wha
Page 119 and 120: international exhibitions and the n
Page 121 and 122: Discussion then returned to the not
Page 123 and 124: different, and it is precisely that
Page 125 and 126: extent, Nittve asked, do the artist
Page 127 and 128: INTERNATIONAL EXHIBITIONS AND THE H
Page 129 and 130: stability. However, in many cases,
Page 131 and 132: Exhibitions alone might not be enou
Page 133 and 134: Many non-Western countries are conf
Page 135 and 136: NEW FORUMS How can we address the n
Page 137 and 138: These voices fairly well illustrate
Page 139 and 140: exhibitions both at home and when s
Page 141 and 142: place. To make creative use of exhi
Page 143 and 144: PARTICIPANTS -139-
Page 145 and 146: I. AFRICA Morocco Mohammed M=lehi D
Page 147: Katalyn Neray Venice Commissioner a
Page 151 and 152: V. lATIN AMERICA Argentina Jorge He
Page 153 and 154: Lynne Cooke Art Critic 42 Brecknock
Page 155 and 156: Invited Participants Unable to Atte
Page 157 and 158: Christina Galvez Guzzy Director Ruf
Page 159 and 160: Susanne Landau Curator The Israel M
Page 162: Alexandre Yakimovich Salvador Alien
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Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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