- Page 1: EXPANDING INTERNATIONALISM A <stron
- Page 5 and 6: FOREWORD Arts International, a divi
- Page 7: the printing 1 publication and wide
- Page 11 and 12: discipline of training to the theor
- Page 13 and 14: Catherine David, Curator at the Jeu
- Page 15 and 16: world through which change can be i
- Page 17 and 18: OPENING REMARKS AT THE PLENARY SESS
- Page 19 and 20: Second, Arts International also man
- Page 21 and 22: alliances among individuals from di
- Page 23 and 24: -19-
- Page 25 and 26: SIMULTANEOUS TRAN"SIATION: :MJDERNI
- Page 27 and 28: "borderline" between and within nat
- Page 29 and 30: homogeneity achieved by "national"
- Page 31 and 32: In many instances, despite the invo
- Page 33 and 34: show. Conceptually it is more probl
- Page 35 and 36: can be secured. At this point we be
- Page 37 and 38: criticism of Roberto Retamar "which
- Page 39 and 40: THE VERB "CURATE" Guy Brett I speak
- Page 41 and 42: people comnented, was to polarize "
- Page 43 and 44: operating with devastating effect i
- Page 45 and 46: saw for the first time the drawings
- Page 47 and 48: pieces of Pueblo pottery made by wo
- Page 49 and 50: model of art as the only one proper
- Page 51 and 52: other works too, in other assemblie
- Page 53 and 54: POSITI
- Page 55 and 56: Aracy A. Amaral Art Critic, Indepen
- Page 57 and 58: or her eyes and his or her percepti
- Page 59 and 60:
Even in South America the art marke
- Page 61 and 62:
"Multi -Cultural Representation of
- Page 63 and 64:
4. opening up new opportunities and
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The African situation again has all
- Page 67 and 68:
Piedad de Ballesteros Director of P
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The fact that the selection is made
- Page 71 and 72:
Mark Francis Curator of Contemporar
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"The Multicultural Paradigm" (from
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Dialog is a micro-universal express
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"Multiculturalism" by :Marina Grzin
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themselves as Kazimir Malevich. In
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The effect of these quotations, rep
- Page 83 and 84:
"Notes on Internationalism<
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trends, inspirations consumed from
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Jean-Hubert Martin / Director MUsee
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Gerardo MOsquera Cuarta Bienal de l
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Bernice Murphy Assistant Director a
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the atrophying configuration of man
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David A. Ross Director The Institut
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Art is not a competitive sport, and
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Ryszard Stanislawski Director, Muze
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"What is International" by Vladimir
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venues just for the sake of it, but
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SlMWUES CF ROONDTABIE DISCUSSICNS -
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MULTICULTURALISM What Role Does MUl
- Page 109 and 110:
of other cultures and how such noti
- Page 111 and 112:
labels "Brazilian" or "Flemish." Ot
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THE OTHER How do we represent other
- Page 115 and 116:
At that point Araeen criticized the
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INTERNATIONAL EXHIBITIONS TODAY Wha
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international exhibitions and the n
- Page 121 and 122:
Discussion then returned to the not
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different, and it is precisely that
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extent, Nittve asked, do the artist
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INTERNATIONAL EXHIBITIONS AND THE H
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stability. However, in many cases,
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Exhibitions alone might not be enou
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Many non-Western countries are conf
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NEW FORUMS How can we address the n
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These voices fairly well illustrate
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exhibitions both at home and when s
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place. To make creative use of exhi
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PARTICIPANTS -139-
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I. AFRICA Morocco Mohammed M=lehi D
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Katalyn Neray Venice Commissioner a
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Mark Francis Curator of Contemporar
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V. lATIN AMERICA Argentina Jorge He
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Lynne Cooke Art Critic 42 Brecknock
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Invited Participants Unable to Atte
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Christina Galvez Guzzy Director Ruf
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Susanne Landau Curator The Israel M
- Page 162:
Alexandre Yakimovich Salvador Alien