Expanding Internationalism - A Conference on ... - Mary Jane Jacob

More documents

Recommendations

Info

Venezuela Maria Elena Ramos Director Museo de Bellas Artes Plaza Mbrelos Mbrfi DS Los Cadeoa, Caracas 1050 Venezuela tel.58-2-571-01-69 I 571-21-19 I 573-40-35 VI. WES'IERN EUROPE Austria Ulli Lindmayr Independent curator A-1070 Wien Schotten feldgasse 4014 Austria tel. 43-222-931-9933 Belgium Catherine de Zegher Kanaal Art Foundation Erasmus Laan 32 8500 Kortrijk Belgium tel. 32-56-22-45-63 tel. (weekend) 32-56-20-38-44 fax 32-56-22-69-50 England Rasheed Araeen Editor, Third Text 120 Greencroft Gardens London NWG 3PJ tel. 44-71-435-3748 Homi Bhabha Critic 20 Highbury Crescent London NS lRX England tel. 44-71-226-2216; 44-71-609-4437 Guy Brett Critic and Independent Curator 38 Archbishops Place London SW2 2AJ England tel. 44-81 674 8416 fax 44-71-240-5958 -148-
Lynne Cooke Art Critic 42 Brecknock Road London N7 England tel. 44-71-607-3553 David Elliott Director M..lseurn of Modem Art 30 Pembroke Street OX1 1BP England tel. 44-865-722-733 fax. 44-865-722-573 France Catherine David (moderator) Curator Jeu de Paume 20, rue Royale 75000 Paris France Tel. 33-1-4260-6000; 4543-1861 fax. 33-1-4260-3905 Jean-Hubert Martin Director Mls~ National d'Art M::xieme Rue Beaubourg 19, rue Renard 75007 Paris France tel. 33-1-4277-1233 fax. 33-1-4277-2949 Germany Kasper Koenig Director Portikus Schone Aussicht 2 D-6000 Frankfurt M[ Federal Republic of Germany tel. 49-69-60-500-830 fax 49-605-008-66 Italy Bruno Cora Art critic and curator for the Incontri Internazionali d'arte Via Val d' Ala 36 Roma 00141, Italy tel. 39-6-679-8006/810-3384 -149-
Page 1:
EXPANDING INTERNATIONALISM A <stron
Page 5 and 6:
FOREWORD Arts International, a divi
Page 7 and 8:
the printing 1 publication and wide
Page 9 and 10:
INTRODUCTION International exhibiti
Page 11 and 12:
discipline of training to the theor
Page 13 and 14:
Catherine David, Curator at the Jeu
Page 15 and 16:
world through which change can be i
Page 17 and 18:
OPENING REMARKS AT THE PLENARY SESS
Page 19 and 20:
Second, Arts International also man
Page 21 and 22:
alliances among individuals from di
Page 23 and 24:
-19-
Page 25 and 26:
SIMULTANEOUS TRAN"SIATION: :MJDERNI
Page 27 and 28:
"borderline" between and within nat
Page 29 and 30:
homogeneity achieved by "national"
Page 31 and 32:
In many instances, despite the invo
Page 33 and 34:
show. Conceptually it is more probl
Page 35 and 36:
can be secured. At this point we be
Page 37 and 38:
criticism of Roberto Retamar "which
Page 39 and 40:
THE VERB "CURATE" Guy Brett I speak
Page 41 and 42:
people comnented, was to polarize "
Page 43 and 44:
operating with devastating effect i
Page 45 and 46:
saw for the first time the drawings
Page 47 and 48:
pieces of Pueblo pottery made by wo
Page 49 and 50:
model of art as the only one proper
Page 51 and 52:
other works too, in other assemblie
Page 53 and 54:
POSITI
Page 55 and 56:
Aracy A. Amaral Art Critic, Indepen
Page 57 and 58:
or her eyes and his or her percepti
Page 59 and 60:
Even in South America the art marke
Page 61 and 62:
"Multi -Cultural Representation of
Page 63 and 64:
4. opening up new opportunities and
Page 65 and 66:
The African situation again has all
Page 67 and 68:
Piedad de Ballesteros Director of P
Page 69 and 70:
The fact that the selection is made
Page 71 and 72:
Mark Francis Curator of Contemporar
Page 73 and 74:
"The Multicultural Paradigm" (from
Page 75 and 76:
Dialog is a micro-universal express
Page 77 and 78:
"Multiculturalism" by :Marina Grzin
Page 79 and 80:
themselves as Kazimir Malevich. In
Page 81 and 82:
The effect of these quotations, rep
Page 83 and 84:
"Notes on Internationalism<
Page 85 and 86:
trends, inspirations consumed from
Page 87 and 88:
Jean-Hubert Martin / Director MUsee
Page 89 and 90:
Gerardo MOsquera Cuarta Bienal de l
Page 91 and 92:
Bernice Murphy Assistant Director a
Page 93 and 94:
the atrophying configuration of man
Page 95 and 96:
David A. Ross Director The Institut
Page 97 and 98:
Art is not a competitive sport, and
Page 99 and 100:
Ryszard Stanislawski Director, Muze
Page 101 and 102: "What is International" by Vladimir
Page 103 and 104: venues just for the sake of it, but
Page 105 and 106: SlMWUES CF ROONDTABIE DISCUSSICNS -
Page 107 and 108: MULTICULTURALISM What Role Does MUl
Page 109 and 110: of other cultures and how such noti
Page 111 and 112: labels "Brazilian" or "Flemish." Ot
Page 113 and 114: THE OTHER How do we represent other
Page 115 and 116: At that point Araeen criticized the
Page 117 and 118: INTERNATIONAL EXHIBITIONS TODAY Wha
Page 119 and 120: international exhibitions and the n
Page 121 and 122: Discussion then returned to the not
Page 123 and 124: different, and it is precisely that
Page 125 and 126: extent, Nittve asked, do the artist
Page 127 and 128: INTERNATIONAL EXHIBITIONS AND THE H
Page 129 and 130: stability. However, in many cases,
Page 131 and 132: Exhibitions alone might not be enou
Page 133 and 134: Many non-Western countries are conf
Page 135 and 136: NEW FORUMS How can we address the n
Page 137 and 138: These voices fairly well illustrate
Page 139 and 140: exhibitions both at home and when s
Page 141 and 142: place. To make creative use of exhi
Page 143 and 144: PARTICIPANTS -139-
Page 145 and 146: I. AFRICA Morocco Mohammed M=lehi D
Page 147 and 148: Katalyn Neray Venice Commissioner a
Page 149 and 150: Mark Francis Curator of Contemporar
Page 151: V. lATIN AMERICA Argentina Jorge He
Page 155 and 156: Invited Participants Unable to Atte
Page 157 and 158: Christina Galvez Guzzy Director Ruf
Page 159 and 160: Susanne Landau Curator The Israel M
Page 162: Alexandre Yakimovich Salvador Alien
show all

Expanding Internationalism - A Conference on ... - Mary Jane Jacob

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?