Expanding Internationalism - A Conference on ... - Mary Jane Jacob
Expanding Internationalism - A Conference on ... - Mary Jane Jacob
Expanding Internationalism - A Conference on ... - Mary Jane Jacob
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4. opening up new opportunities and avenues for man to develop a greater and<br />
better understanding of his neighbors; and<br />
5. promoting better political and cultural relati<strong>on</strong>s between nati<strong>on</strong>s and<br />
peoples.<br />
The political dimensi<strong>on</strong> of internati<strong>on</strong>al exhibiti<strong>on</strong>s is now<br />
assuming important dimensi<strong>on</strong>s we can no l<strong>on</strong>ger ignore.<br />
However, we in Africa do recognize the practical problems involved in<br />
organizing internati<strong>on</strong>al exhibiti<strong>on</strong>s. Let me highlight some of our fears and<br />
problems:<br />
1. the risk of overexposure of the works due to excessively l<strong>on</strong>g lengthy<br />
viewing, thus making them lose their dramatic impact, which may lead to<br />
trivializing their meaning and potency;<br />
2. the lack of financial benefits accruing to the country or museum of<br />
origin<br />
(This is a serious problem that should be addressed at this<br />
c<strong>on</strong>ference. African Museums are generally under-funded, and it does not<br />
appear that they benefit financially like the host country or museum when<br />
their works of art are taken out for exhibiti<strong>on</strong>) ; and<br />
3. the risk of taking the exhibits out with too small a number of trained and<br />
qualified staff from the museum/country of origin.<br />
In most cases, as was<br />
the case with the Nigerian experience, <strong>on</strong>ly <strong>on</strong>e staff was taken at a<br />
time.<br />
This is grossly inadequate and unprofessi<strong>on</strong>al, especially when it<br />
is understood that such a pers<strong>on</strong> acco.rrpanying the works is the anchorman<br />
for the museum/ country of origin.<br />
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