Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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Paula Latos-Valier Director Art Gallery of Western Australia Perth Cultural Centre, Perth 600 Western Australia tel. 61-9-328-7233 fax. 61-9-328-6353 Bernice Murphy Chief Curator Museum of Contemporary Art Circular Quay West P. 0. Box R1286 Sydney 2001 tel. 61-2-252-4033 Japan Fumio Nanjo Nanjo & Associates 30-8 Sarugakucho Twin Building Daikanyama, Shibuya-ku Tokyo 150, Japan tel. 81-3-780-0491 fax 81-3-780-0753 Philippines Felix Padilla Director Conterrporary Arts Museum of the Philippines Fourth Floor, Cultural Center Roxas Blvd. :tv:etromanila, Philippines tel. 832-1125, ext. 227 Thailand Nonthi vathn Chandhanaphalin Director Silpakorn University Art Gallery Bangkok 10200, Thailand tel. 66-2-223-8556 fax 66-2-225-7258 III. MIDDLE EAST/EASTERN EUROPE Hungary Laszlo Beke Curator Hungarian National Gallery 4250 Buda}est, P .0. Box 34 Hungary tel. 36-1-175-8989 -142-
Katalyn Neray Venice Commissioner and Director Palace of Exhibitions/MUcsarnok P.O. Box 35 140 6 Budapest, Hungary tel. 36-1-424-145 Poland Anda Rottenberg Ministry of Kultur Sztuki Krakowskie Przedscie 15/17 00-950 Warszawa, Poland tel. 48 22 26 00 58 Ryszard Stanislawski Director MUseum Sztuki, Lodz ul. Wieckowskiego 36, 90-734 LOdZ, Poland Turkey Beral Madra Director Galeri Bf:-..1 Akkavak Sokak 1/1 80200 Nisantas Istanbul, Turkey tel. 90-1-131-1023 fax .• (same) Yugoslavia Marina Grzinic Cultural Secretary for Slovenia Marksisticni Center M::: CKZKS Beethovna 2 Ljubljana 6100, Yugoslavia tel. 38-61-210-036 fax 38-61-215-855 home: Cesnikova 12 Ljubljana 61000 or: Slovenian Esthetic Society Sazu Novi TRG 4 Ljubljana 6100 Vladimir Vajda Director Festival Ljubljana Trg rancoske revolucije 1-2 Ljubljana, Gaspersiceva 7 Yugoslavia -143-
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EXPANDING INTERNATIONALISM A <stron
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FOREWORD Arts International, a divi
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the printing 1 publication and wide
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INTRODUCTION International exhibiti
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discipline of training to the theor
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Catherine David, Curator at the Jeu
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world through which change can be i
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OPENING REMARKS AT THE PLENARY SESS
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Second, Arts International also man
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alliances among individuals from di
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-19-
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SIMULTANEOUS TRAN"SIATION: :MJDERNI
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"borderline" between and within nat
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homogeneity achieved by "national"
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In many instances, despite the invo
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show. Conceptually it is more probl
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can be secured. At this point we be
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criticism of Roberto Retamar "which
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THE VERB "CURATE" Guy Brett I speak
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people comnented, was to polarize "
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operating with devastating effect i
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saw for the first time the drawings
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pieces of Pueblo pottery made by wo
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model of art as the only one proper
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other works too, in other assemblie
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POSITI
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Aracy A. Amaral Art Critic, Indepen
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or her eyes and his or her percepti
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Even in South America the art marke
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"Multi -Cultural Representation of
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4. opening up new opportunities and
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The African situation again has all
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Piedad de Ballesteros Director of P
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The fact that the selection is made
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Mark Francis Curator of Contemporar
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"The Multicultural Paradigm" (from
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Dialog is a micro-universal express
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"Multiculturalism" by :Marina Grzin
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themselves as Kazimir Malevich. In
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The effect of these quotations, rep
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"Notes on Internationalism<
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trends, inspirations consumed from
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Jean-Hubert Martin / Director MUsee
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Gerardo MOsquera Cuarta Bienal de l
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Bernice Murphy Assistant Director a
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the atrophying configuration of man
Page 95 and 96: David A. Ross Director The Institut
Page 97 and 98: Art is not a competitive sport, and
Page 99 and 100: Ryszard Stanislawski Director, Muze
Page 101 and 102: "What is International" by Vladimir
Page 103 and 104: venues just for the sake of it, but
Page 105 and 106: SlMWUES CF ROONDTABIE DISCUSSICNS -
Page 107 and 108: MULTICULTURALISM What Role Does MUl
Page 109 and 110: of other cultures and how such noti
Page 111 and 112: labels "Brazilian" or "Flemish." Ot
Page 113 and 114: THE OTHER How do we represent other
Page 115 and 116: At that point Araeen criticized the
Page 117 and 118: INTERNATIONAL EXHIBITIONS TODAY Wha
Page 119 and 120: international exhibitions and the n
Page 121 and 122: Discussion then returned to the not
Page 123 and 124: different, and it is precisely that
Page 125 and 126: extent, Nittve asked, do the artist
Page 127 and 128: INTERNATIONAL EXHIBITIONS AND THE H
Page 129 and 130: stability. However, in many cases,
Page 131 and 132: Exhibitions alone might not be enou
Page 133 and 134: Many non-Western countries are conf
Page 135 and 136: NEW FORUMS How can we address the n
Page 137 and 138: These voices fairly well illustrate
Page 139 and 140: exhibitions both at home and when s
Page 141 and 142: place. To make creative use of exhi
Page 143 and 144: PARTICIPANTS -139-
Page 145: I. AFRICA Morocco Mohammed M=lehi D
Page 149 and 150: Mark Francis Curator of Contemporar
Page 151 and 152: V. lATIN AMERICA Argentina Jorge He
Page 153 and 154: Lynne Cooke Art Critic 42 Brecknock
Page 155 and 156: Invited Participants Unable to Atte
Page 157 and 158: Christina Galvez Guzzy Director Ruf
Page 159 and 160: Susanne Landau Curator The Israel M
Page 162: Alexandre Yakimovich Salvador Alien
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