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Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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NEW FORUMS<br />

How can we address the need for an<br />

expanded internati<strong>on</strong>al forum<br />

Moderator:<br />

Panelists:<br />

Milena Kalinovska, USA<br />

Emmanuel Arinze, Nigeria<br />

Anth<strong>on</strong>y B<strong>on</strong>d, Australia<br />

Kellie J<strong>on</strong>es, USA<br />

Ulli Lindmayr, Austria<br />

Beral Madra, Turkey<br />

Thomas M2sser, USA<br />

Roald Nasgaard, Canada<br />

David Ross, USA<br />

Anda Rottenberg, Poland<br />

This panel of curators and critics aimed to answer what kind of new<br />

forums, in the c<strong>on</strong>text of expanding internati<strong>on</strong>alism, would be effective<br />

and benefit a broad variety of artists from a number of different<br />

backgrounds and countries. We understood that we were brought together<br />

precisely because our breadth of experiences, according to which part of<br />

the world we have worked in and that what we have been individually<br />

c<strong>on</strong>cerned with would differ. Yet, the corrplex interests of our small<br />

group perhaps reflects to some extent the complexity of issues that are<br />

associated with the current understanding of what c<strong>on</strong>temporacy<br />

internati<strong>on</strong>al exhibiti<strong>on</strong>s--sometimes labeled global--entail. We indeed<br />

talked predominantly about exhibiti<strong>on</strong>s since they are where c<strong>on</strong>temporacy<br />

art is made public and validated.<br />

It has also been clear to us that the<br />

questi<strong>on</strong> of the "Other" and its role in internati<strong>on</strong>al shows, vecy much<br />

debated recently and particularly addressed in Western Europe since the<br />

sec<strong>on</strong>d part of the '80s, had motivated the U.S. organizers of this<br />

c<strong>on</strong>ference.<br />

The noti<strong>on</strong> of the "Other" thus presided over our discussi<strong>on</strong><br />

as it progressed.<br />

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