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Expanding Internationalism - A Conference on ... - Mary Jane Jacob

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themselves as Kazimir Malevich.<br />

In the exhibiti<strong>on</strong> a series of Nee-Supremacist<br />

paintings made from Supremacist elements in gobelin technique, etc .... were<br />

included.<br />

This Kazimir Malevich acquainted the American and world public<br />

with his exhibiti<strong>on</strong> by a letter published in the art magazine Art in America<br />

where he was asked why the real Petrograd exhibiti<strong>on</strong> aroused such interest.<br />

The Belgrade repetiti<strong>on</strong> was followed by a New York <strong>on</strong>e; artist David Diao<br />

created an unique photograph of the Petrograd exhibiti<strong>on</strong> as a two-dimensi<strong>on</strong>al<br />

picture.<br />

--"The Internati<strong>on</strong>al Exhibiti<strong>on</strong> of Modem Art" (presented in Belgrade<br />

and Ljubljana in 1986) was a partial rec<strong>on</strong>structi<strong>on</strong> and symbolic repetiti<strong>on</strong> of<br />

a large exhibiti<strong>on</strong> of modem art known as the "Armory Show" in 1913 when, for<br />

the first time, modem European art was introduced to the USA; at "The<br />

Internati<strong>on</strong>al Exhibiti<strong>on</strong> of Modem Art" copied works of modem art up to the<br />

present time were also shown.<br />

This exhibiti<strong>on</strong> was organized by an<br />

internati<strong>on</strong>al group c<strong>on</strong>temporary Europecm and .. American artists.<br />

These projects not <strong>on</strong>ly functi<strong>on</strong> interpellatively--as spots, making a<br />

subject of a spectator, determining him as their own spectator--but also they<br />

develop series of strategies and tactics of representati<strong>on</strong>s and presentati<strong>on</strong>s<br />

which we can c<strong>on</strong>sider as new models of representati<strong>on</strong> and so, thought models,<br />

which determine the subject in this so-called time of postmodemism.<br />

Through<br />

these producti<strong>on</strong>s "the Other" ("their /yours identity") is formed, reformed,<br />

deformed, and transformed.<br />

We can speak about interior multiculturalism, with<br />

internati<strong>on</strong>al effects; through the process of reappropriating, recycling<br />

different histories and cultures within the artistic process, a specific<br />

multicultural c<strong>on</strong>diti<strong>on</strong> is c<strong>on</strong>structed.<br />

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