Expanding Internationalism - A Conference on ... - Mary Jane Jacob

Catherine David, Curator at the Jeu de Paume, Paris, led the session on
"The Other" which looked at how we represent the art of other cultures and
how we represent ourselves to others in international exhibitions. As we
increasingly observe confrontation between the dominant and those of
others, it is necessary to consider what context is appropriate, or even
possible, for showing the work of diverse cultures. Are we seeking to
achieve a balance of cultural diversity or to shed light on cultural
difference by expanding the scope of international exhibitions How do
anthropological or social points of view based on a colonial perspective
intervene in the presentation of this work, and how can they be changed.
How international exhibitions can be made more effective for the
host country, particularly when they are located outside major Western
centers, was the theme of the roundtable led by Paulo Herkenhoff, curator
of the M.lseu de Arte de sao Paulo I
Brazil. Location can effect a show' s
focus, interpretation, and reception. How the individual participant's
concerns were shaped by their country of residency became evident in
exploring whether such exhibitions should respond to local needs for
exposure to contercporary art, or be intended for the international art
community.
It was pointed out that the lack of press and infonnation
systems, and the weak patronage or gallery system in some parts of the
world affect how these shows are represented and received
internationally. Also discussed was how artists and institutions in the
host country can be more actively engaged in the international show, and
how these shows can be used as an occasion to educate the local
constituency.
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