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Submitted version of the thesis - Airlab, the Artificial Intelligence ...

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5.2. Color Definition 61<br />

Ano<strong>the</strong>rautomaticadjustmentcanbedoneonexposure. Subjectslighter<br />

than middle gray, such as a white china plate, reflect more than 18% <strong>of</strong> <strong>the</strong><br />

light falling on <strong>the</strong>m. The exposure system doesn’t know that <strong>the</strong> scene<br />

should look bright, so it calculates an exposure that produces a middle gray<br />

image that is too dark. Subjects that are darker than middle gray such as<br />

black cloth, reflect less than 18% <strong>of</strong> <strong>the</strong> light falling on <strong>the</strong>m. The exposure<br />

system calculates an exposure that makes <strong>the</strong> image middle gray and too<br />

light.<br />

The contrast or difference in brightness between <strong>the</strong> subject and <strong>the</strong><br />

background can fool an exposure system, particularly if <strong>the</strong> subject occupies<br />

a relatively small part <strong>of</strong> <strong>the</strong> scene compared to <strong>the</strong> background. The<br />

brightness <strong>of</strong> <strong>the</strong> background is so predominant that <strong>the</strong> automatic exposure<br />

systemadjusts<strong>the</strong>exposuretorender<strong>the</strong>overall brightnessasamiddlegray.<br />

If <strong>the</strong> main subject is lighter than <strong>the</strong> background, it will be overexposed<br />

and too light. If it’s darker than <strong>the</strong> background, it will be underexposed<br />

and too dark.<br />

Depending on <strong>the</strong> arrangement <strong>of</strong> <strong>the</strong> lighting, some subjects may be<br />

too contrasty with brightly lit highlights and deep shadows. The range <strong>of</strong><br />

brightness may exceed <strong>the</strong> range that can be captured by <strong>the</strong> camera. In<br />

<strong>the</strong>se cases adjustments should be made in <strong>the</strong> lights to balance out <strong>the</strong><br />

light and to lower <strong>the</strong> contrast. However, deciding whe<strong>the</strong>r <strong>the</strong> highlight or<br />

shadow areas are most important for <strong>the</strong> final picture, <strong>the</strong> exposure setting<br />

should be made appropriately.<br />

The perfect exposure retains details in both <strong>the</strong> highlights and shadows.<br />

For <strong>the</strong> auto exposure system, this is as difficult. If <strong>the</strong>re is even a little too<br />

much exposure, <strong>the</strong> image is too light and details are lost in <strong>the</strong> highlights.<br />

If <strong>the</strong>re is too little exposure, <strong>the</strong> image is too dark and details are lost in<br />

<strong>the</strong> shadows.<br />

When confronted with any subject lighter or darker than middle gray,<br />

exposure compensation is used to lighten or darken <strong>the</strong> photograph that <strong>the</strong><br />

camera would o<strong>the</strong>rwise produce.<br />

To lighten a picture, <strong>the</strong> exposure is increased. This is useful for setups<br />

where<strong>the</strong>backgroundis muchlighter than <strong>the</strong>subject, or whenphotographing<br />

very light objects, such as white china on a white tablecloth. To darken<br />

an image, <strong>the</strong> exposure is decreased. This is useful for setups where <strong>the</strong>

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