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Priscilla Presley, John Travolta, <strong>and</strong> Kelly Preston at <strong>the</strong> Church <strong>of</strong> Scientology Celebrity Centre’s thirty-seventh-anniversary gala, Hollywood,<br />

August 2006<br />

But without two more signature names <strong>the</strong> movie was back in limbo. Haggis was<br />

about to lose Cheadle as well, because he was scheduled to make Hotel Rw<strong>and</strong>a. Yari<br />

finally told Haggis to shut <strong>the</strong> production down.<br />

The following Monday, when Schulman came into <strong>the</strong> production oce, she found<br />

Haggis <strong>the</strong>re, alone.<br />

“What are you doing?” she asked.<br />

“I’m prepping <strong>the</strong> movie.”<br />

Yari agreed to keep <strong>the</strong> oce open for one more week, <strong>and</strong> <strong>the</strong>n ano<strong>the</strong>r, as each<br />

Monday Schulman would nd Haggis at work preparing for a movie that now had no<br />

budget at all. Gradually, o<strong>the</strong>r people began working with him, for no pay.<br />

“If you get S<strong>and</strong>y Bullock, you got a green light,” Schulman told him.<br />

Haggis got S<strong>and</strong>ra Bullock for <strong>the</strong> role <strong>of</strong> <strong>the</strong> district attorney’s wife, a brittle, racist<br />

socialite, a role far from <strong>the</strong> plucky gamines she had played in <strong>the</strong> past. In <strong>the</strong> movie,<br />

she’s <strong>the</strong> one who gets carjacked at gunpoint. But <strong>the</strong> producers wanted one more name:<br />

Brendan Fraser. Haggis thought he was much too young for <strong>the</strong> part, as did Fraser, but<br />

he agreed to do it. The movie was nally green-lit, just four weeks before <strong>the</strong> shooting<br />

started. Only now, <strong>the</strong> ten million dollars had shrunk to six <strong>and</strong> a half.<br />

For Haggis, everything was riding on this lm. He mortgaged his house three times;<br />

he also used it as a set, in order to save on his location budget. He canceled many <strong>of</strong> <strong>the</strong><br />

exterior scenes <strong>and</strong> borrowed <strong>the</strong> set <strong>of</strong> <strong>the</strong> television show Monk to lm interiors. He<br />

was eating carelessly <strong>and</strong> smoking constantly. He lost weight. He desperately needed<br />

more time.<br />

When he nished shooting a scene in Chinatown, Cathy Schulman caught up with him<br />

to ask about <strong>the</strong> next day’s shoot. “You look like you’re clutching your chest,” she<br />

observed.

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