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122 creativity<br />

such as Oh I don’t know is pronounced at a very low pitch level. Creaky voice,<br />

or simply creak, is also sometimes encountered as a phonological characteristic,<br />

as in Hausa, where there is an opposition between creaky and non-creaky<br />

plosives. Creaky sounds are also called ‘laryngealized’.<br />

creativity (n.) An application in linguistics of the usual sense of this term to<br />

refer to the capacity of language users to produce and understand an indefinitely<br />

large number of sentences, most of which they will not have heard or<br />

used before. Seen as a property of language, it refers to the ‘open-endedness’ or<br />

productivity of patterns, whereby a finite set of sounds, structures, etc., can<br />

be used to produce a potentially infinite number of sentences. In contrast with<br />

studies of animal communication, linguistic creativity is considered to be a<br />

species-specific property: the creation of new sentences is not a feature of animal<br />

communication systems. The notion of creativity has a long history in the discussion<br />

of language, but it has become a central feature of contemporary studies<br />

since the emphasis placed upon it by Noam Chomsky (see Chomskyan). One of<br />

the main aims of linguistic enquiry, it is felt, is to explain this creative ability,<br />

for which such constructs as generative rules have been suggested. Care<br />

must, however, be taken to avoid confusing this sense of ‘creative’ with that<br />

found in artistic or literary contexts, where notions such as imagination and<br />

originality are central.<br />

creole (n.) A term used in sociolinguistics to refer to a pidgin language<br />

which has become the mother-tongue of a speech community, as is the case<br />

in Jamaica, Haiti, Dominica, and several other ex-colonial parts of the world.<br />

The process of creolization expands the structural and stylistic range<br />

of the pidginized language, so that the creolized language becomes comparable<br />

in formal and functional complexity to other languages. A process of<br />

decreolization takes place when the standard language begins to exert influence<br />

on the creole, and a post-creole continuum emerges. However, this<br />

process is not the reverse of creolization, and therefore some sociolinguists<br />

have suggested alternative terms for this stage, such as metropolitanization.<br />

When the development of a creole approaches that of the source language,<br />

recreolization may occur, with speakers introducing creole features into the<br />

standard variety (as has been observed, for example, in London Jamaican English).<br />

See also creoloid.<br />

creolization (n.), creolize (v.)<br />

see creole<br />

creoloid (n.) A term used in sociolinguistics for a variety of language<br />

which displays linguistic resemblances to a creole (e.g. in simplification, or in<br />

the mixing of features from different source languages) while lacking a history<br />

of origin in a pidgin language. Creoloids may have a strong tradition of use by<br />

native-speakers (as in the case of Afrikaans) or be used entirely by people who<br />

have developed it as a second language (as with Singaporean English). The<br />

process which leads to their formation is creoloidization.<br />

criteria, singular criterion (n.) In linguistics and phonetics this term is used<br />

with reference to the formal justification of an analysis or description – why

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