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The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

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99without doubt, this is the only true method by which a series <strong>of</strong> photographsmay be made to register dead true, only those who have tried cancomprehend the almost hopeless task <strong>of</strong> trying to make slides with cushionmats to superimpose, the slightest strain on any one side <strong>of</strong> the matbeing sufficient to throw it out <strong>of</strong> the square ; with circular mats there isnot quite so much trouble, even then, if exactness is required each slidemust be blocked, a difficulty which these carriers overcome.<strong>The</strong> Docwra carrier is so constructed that either square or circularpictures can be placed on the screen with such dead accuracy that nocritical observer will see where the one begins <strong>and</strong> the other leaves thescreen. <strong>The</strong> mechanical parts are so arranged, that by compressing aprojecting button the slides are gripped automatically <strong>and</strong> held firmlyagainst the front <strong>of</strong> the carrier, to ensure each picture being in focus,<strong>and</strong> are so geometrically true that perfection is attained which cannotbe accomplished by any other means.A is the thumb press that presses the clips back which hold the slide inposition, to place a slide in the carrier hold it at a slight angle, with thebrass face undermost, drop the slide into its place, pressing the spring atthe same time, by this means the slide is held firmly in position <strong>and</strong>pressed to the front <strong>of</strong> the frame; to make sure <strong>of</strong> the slide being down onto the bed <strong>of</strong> the frame, always press the spring once or twice in succession.B is the regulating stop, for adjusting the distance the frame shall gointo <strong>lantern</strong>, as it presses against the <strong>lantern</strong> stage.SCREENS.A great deal <strong>of</strong> the result is dependent upon the screen, it should hangperfectly flat, <strong>and</strong> be <strong>of</strong> snowy whiteness. Many an exhibitor will sacrificehis light by using a screen <strong>of</strong> a yellowish or dirty nature, in fact beforenow, a domestic sheet from the bed room has done duty as a screen.<strong>The</strong> best screen for general purposes, especially for travelling, is <strong>of</strong> a linentexture, scrupulously white <strong>and</strong> above all very thick <strong>and</strong> strong, especiallyfor the larger sizes, the thickness gives it opacity, <strong>and</strong> the strength preventsthe risk <strong>of</strong> splitting, the corners should be strengthened with an extralayer <strong>of</strong> strong linen. In the large sheets there is a very great strain onthese corners, some are made with eyelet holes along thetop <strong>and</strong> sides,others with rings along the top <strong>and</strong> tapes along the other three sides.prefer the latter, it is entirely a question <strong>of</strong> use, as many exhibitors preferthe eyelet holes. A public exhibitor usually has three screens, 12, 16,20 feet, as it is not always possible to use the larger screens, even in largeG2We

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