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The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

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T02together is a dreadful affair, if one <strong>of</strong> the poles is left behind, the <strong>lantern</strong>istis hors de-combat, <strong>and</strong> even when it is up has no solidity.<strong>The</strong> only recommendable frame up to 12 feet is the "<strong>Art</strong>iculosus " (Fig.54) it has no pieces to join together or parts to be left behind, brass knucklejoints hold the whole frame <strong>complete</strong> in two halves as Fig. 56. After settingout each half <strong>of</strong> the frame, <strong>and</strong> placing the brasspin through the holes inthe top knuckle joints, to hold the top rails stift", run the whole <strong>of</strong> the rings<strong>of</strong> the screen over one side <strong>of</strong> the top rail, this done, join the two halvestogether by means <strong>of</strong> the bayonet catch, <strong>and</strong> distribute the rings equallyover the pole or rod, slipping the ring <strong>of</strong> each end over the end <strong>of</strong> thebrass work <strong>of</strong> the frame.If not sufificiently wide for this purpose, fastena piece <strong>of</strong> string to the last ring <strong>of</strong> each end, <strong>and</strong> tie over the corner <strong>of</strong>the brass work, in a similar manner, raise the frame with screen attacheda little at the time, by means <strong>of</strong> the central pole, <strong>and</strong> as the rod israisedfasten the tapes <strong>of</strong> the side <strong>of</strong> the screen to same. When the screen isat its full height, the bottom corners <strong>of</strong> the screen are tied to the stays,going across the A shape sides in the cross bar <strong>of</strong> the A as it were, if thisis not sufficient to draw the screen tight, fasten a cord from the eyeattached to the bottom <strong>of</strong> the upright rod, passing it down underneaththe cross bar or stay to the other side,under the stay or cross bar, <strong>and</strong> upto the other rod, fastening <strong>of</strong>f at the screw eye. <strong>The</strong> screen may thenbe fastened at the bottom <strong>and</strong> sides to this cord, <strong>and</strong> may be made astight as a drum.When dealing with a large frame from 16 to 20 feet, an entirely differentprinciple is necessary. That which will st<strong>and</strong> firm <strong>and</strong> rigid at 12 feet,when lengthened to 16 or 20, becomes quite flimsy <strong>and</strong> inadequate, tohold the extra strain, a resource must be made to guy ropes <strong>and</strong> a firmerbasis.This necessisates stronger poles <strong>and</strong> heavier castings for the anglepieces. With these larger sizes, it is a <strong>complete</strong> frame in itself, with all foursides. Fig. 56. When this is firmly placed, <strong>and</strong> guyed to the extending feetor base, the screen is pulled up by a cord running on wheels at the topcorner, the tapes <strong>of</strong> the screen are fastened to the woodwork <strong>of</strong> the frameat all sides including bottom. All this cannot be done without weight, fora 20 feet frame, the woodwork must be solid <strong>and</strong> firm with brass castings<strong>of</strong> a substantial quality. Bamboo is very portable, but lacks the soliditynecessary for large frames, for smaller sizes there is a slight gain inweight, over ordinary deal rods.In most large halls, a nail can be found on which can be hung a pulleyblock, such as is used in tent <strong>and</strong> awning work. A strong cord, (blind cordis the best,) is passed through the ring at top <strong>of</strong> the screen, <strong>and</strong> fastened<strong>of</strong>f tightly at each end, this cord is then passed through the pulley block

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