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The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

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SIshowing, gently push back the cover glass <strong>of</strong> the rack which cuts <strong>of</strong>f theflame, until it is back in its normal position, <strong>and</strong> lighten up the ruinview to its fall extent, hold the open fingers in front <strong>of</strong> the lens <strong>of</strong> the<strong>lantern</strong> containing the rack; flicker the flames by opening <strong>and</strong>. closingthe fingers a few times, until you cover up the fire entirely, leaving theruins alone on the screen. Note.—All fire <strong>and</strong> smoke effects are improvedby being slightly out <strong>of</strong> focus.Vase <strong>of</strong> Flowers.— (i) In Bud. {2) Blossom, here butterflies areintroduced, in two <strong>lantern</strong>s, the motion the butterfly takes, is that <strong>of</strong>an elliptical curve, which is done by a slip glass working on a slidingpivot one in each <strong>lantern</strong>, moving the fingers in front <strong>of</strong> the lens,gives a scintillating effect as though the butterflies moved their wingsin <strong>and</strong> out <strong>of</strong> the light. A second assistant is here necessary, to keepthe butterflies at work, while the flowers are turned into decay, the butterfliesmay be tinted various colours by the aid <strong>of</strong> light tints <strong>of</strong> glass orgelatine introduced into the diaphragm slot <strong>of</strong> the lens.History <strong>of</strong> the Emigrant Ship.—<strong>The</strong> real beauty <strong>of</strong> this set <strong>of</strong>dissolving views is enhanced by the song '• Ship on Fire," by HenryRussell, being introduced, or appropriate airs being played." <strong>The</strong> GirlI left behind me," " To the West," "Bay <strong>of</strong> Biscay," "Ship on fire,""Rule Britannia," &c., &c.<strong>The</strong> vessed is towed out <strong>of</strong> Harbour, <strong>and</strong> left at sea with movingwaves. <strong>The</strong> sun is made to sink, <strong>and</strong> as this is brought about by aseparate sunset movement, a pale blue glass should gradually be slippedinto the diaphragm <strong>of</strong> the lens giving a realistic effect <strong>of</strong> approachingnight, when glass fully covers the picture dissolve to storm, <strong>and</strong> makeready the second <strong>and</strong> third <strong>lantern</strong>s for red <strong>and</strong> blue lightning. Keep thethree <strong>lantern</strong>s on, only be sure to close the flashers on lenses <strong>of</strong> the two<strong>lantern</strong>s containing the lightning, flash half the lightning once or twicefrom one <strong>lantern</strong>, (by flashing the shutter halfway), then flash theshutter fufly opened <strong>and</strong> closed, then flash the second lightning in thesame manner. Do not leave the lightning on the screen, simply flashslowly at first, <strong>and</strong> then once or twice in rapid succession, <strong>and</strong> finallyboth <strong>lantern</strong>s at once, if not overdone, but worked well, the effect ismost vivid <strong>and</strong> startling. If thunder is wanted, hang a sheet <strong>of</strong> zinc oriron by the corner <strong>and</strong> shake it.<strong>The</strong> fire caused by the lightning now breaks out in the forecastle <strong>of</strong>the vessel, take out a lightning slide <strong>and</strong> introduce the rack for fire withthe blacked slip glass in its place which only allows a small portionD2

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