12.07.2015 Views

The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

SHOW MORE
SHOW LESS
  • No tags were found...

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

i7oNo <strong>lantern</strong> manual would be considered <strong>complete</strong> without a description<strong>of</strong> the Ghost Illusion, although it is a too expensive arrangementto demonstrate as an experiment. <strong>The</strong> recent revival <strong>of</strong> the illusion atthe Christian Institute in Regent-street, which was formerly the RoyalPolytechnic, <strong>and</strong> by the original producers has caused fresh interest tothe present generation ;<strong>and</strong> herewith is a description <strong>of</strong> the art <strong>of</strong> ghostproducing up to date. <strong>The</strong> principle <strong>of</strong> reflection by which this illusionis brought about is very simple, <strong>and</strong> is seen any time in the window <strong>of</strong>a railway carriage whilst looking through the window, the interior <strong>of</strong> thecarriage is also reflected on the glass ; or again, at twilight, the interior<strong>of</strong> room <strong>and</strong> tire are reflected on the windows, at the same time as thescene outside also is visible to the eye, thus producing a curious illusion,<strong>and</strong> on this theory the ghost is produced. <strong>The</strong> real actors are seenthrough a large sheet <strong>of</strong> plate-glass, <strong>and</strong> from the front surface <strong>of</strong> thisglass is reflected a phantom, which is apparently taking part in the sceneamong the real actors. <strong>The</strong> illustration shows this arrangement : E. G.is the stage separated from the auditorium H, by a very large sheet <strong>of</strong>transparent glass, E. F., placed at an angle, not visible to the audience,the lights being kept low, <strong>and</strong> the stage itself is comparatively dark ;parallel to the large sheet <strong>of</strong> glass is a silvered mirror, or looking glass,C. D., placed below <strong>and</strong> out <strong>of</strong> the spectators' sight, receiving the reflection<strong>of</strong> a person at A, also out <strong>of</strong> sight, <strong>and</strong> is strongly illuminatedwith a light box at B, one or more being used according to the illuminationrequired : the manner <strong>of</strong> the reflections <strong>of</strong> the mirror to the plateglass, <strong>and</strong> to thence to the audience, giving them the appearance <strong>of</strong> thefigure appearing at G, which is indicated by the lines drawn on thediagram (fig. 69).<strong>The</strong> apparition has an ethereal <strong>and</strong> transparent appearance, which isincreased by the manner in which it may be made to melt away, whichis brought about by diminishing the amount <strong>of</strong> light which falls on thereal person. <strong>The</strong> introduction <strong>of</strong> the silver mirror was a great improvement,as it allows the phantom figure to st<strong>and</strong> in his natural attitude,whereas the ghost with only the glass E. F. could not be made to appearupright unless the glass was placed at an angle <strong>of</strong> 45° <strong>and</strong> the actor <strong>of</strong>the ghost lay horizontally beneath.(We are indebted to Messrs. Routledge & Son, Ludgate Hill, for theIllustration from ''''Inventions 0/ the Nineteenth Century.'")

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!