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The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

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4tthe same as they do, in fact it is seldom that the full value is got out <strong>of</strong>a triple.Why this neglect <strong>and</strong> apathy ?We appear to live in a lazy age, with a taste for simplicity. When anaudience is tolerably well satisfied with simple photographs, we do notcare to spend the necessary time <strong>and</strong> trouble that is requisite to registereffects. With a <strong>lantern</strong>ist who is seldom twice in the same place, <strong>and</strong>using lenses <strong>of</strong> different focus, it is very different to the old Polytechnic,where the <strong>lantern</strong>s were stationary, with the slides <strong>and</strong> effects registered<strong>and</strong> marked for each <strong>lantern</strong>.This system when worked in modern instruments, proves a failure, asslides registered at a short distance from the screen, will not come truewhen lenses <strong>of</strong> long range are adopted. And consequently effects trued<strong>and</strong> registered at home, in nine cases out <strong>of</strong> ten, fail to come right at anexhibition. What is more trying, <strong>and</strong> irritating to an audience, than tosee effects bobbing up <strong>and</strong> down on thescreen, as the operator endeavoursto get them into their proper positions. This is the class <strong>of</strong>exhibition which brings <strong>lantern</strong>s into bad repute, <strong>and</strong> is it to bewondered at ?WHAT DOES REGISTERING IMPLY?It means that one <strong>and</strong> every slide dissolved should appear perfectlycoincident to the preceding picture in size <strong>and</strong> shape. Take two effectsfor instance, day <strong>and</strong> night <strong>of</strong> the same place, when the two are on thescreen together, the buildings, etc., must superimpose over each other,with such precision that they have the appearance <strong>of</strong> one slide, likewisethe circles or edges <strong>of</strong> the picture should superimpose to a minute degree.Without a system, such- registration is impossible. With such amethod as Mr. Hughes advocates, the whole course <strong>of</strong> registering slidesis reduced to a rule <strong>of</strong> thumb. When once the effects are trued, theyare true for ever after,whatever focus lens may be used.MANIPULATING A TRIPLE LANTERN.After getting the <strong>lantern</strong> into position on its tripod or box (the lattershould be very rigid <strong>and</strong> fitted with a canting table).Clean the conden--sers <strong>and</strong> front lenses with a chamois leather, which should be free fromgrease, <strong>and</strong> kept specially for the purpose. In replacing the condensersnotice that the holes are at the top, to allow <strong>of</strong> the escape <strong>of</strong> moisture,<strong>and</strong> on a very cold night it may be necessary to warm all lenses by afire, generally this is not required. Take care that the condensers arewell pressed home in their sockets, as this is <strong>of</strong>ten the cause <strong>of</strong> a blurred

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