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The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

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^37A variety <strong>of</strong> subjects may be treated in this manner shading the weaker<strong>and</strong> giving extra exposure to the extreme whites <strong>and</strong> dark portions <strong>of</strong>the negatives, thin skies, distance <strong>and</strong> figures are all improved, cloudsmay be printed in from another negative, by shading the already exposedl<strong>and</strong>scape, in this case a slight outline must be traced <strong>and</strong> the shadingpaper cut accordingly, a little <strong>of</strong> the clouds run into the l<strong>and</strong>scape is notperceptable when the enlargement is developed.Under Exposure gives extreme black <strong>and</strong> white adding a snowlike appearance, all the intermediate tones being lost. A very densenegative when used with a bad light will sometimes give the same effect.Over Exposure is preferable to the former, as in all photographicwork, it may be somewhat modified in development. A thin negativeshould not have a strong light behind or the print will lack contrast, thesame as an over exposed picture, the light may always be reduced byplacing a card-board stop between the illuminant <strong>and</strong> condenser or inthe front lens.Testing the Exposure.—To start, cut three strips <strong>of</strong> bromidepaper from the margin <strong>of</strong> a sheet, or keep a sheet to cut up for thispurpose, in lengths <strong>of</strong> say 6 in. 4-in. <strong>and</strong> 3-in. placing them on thewall or easel by means <strong>of</strong> pins (we find ladies' long hat pins with abeaded end preferable to drawing pins) so that each receives a fairportion <strong>of</strong> the contrasts in the negative, <strong>of</strong> course this must all bedone with the non-actinic cap covering the lens, then give the variousexposures : to the longest strip the greatest exposure, the shortest stripthe shortest exposure, for instance, the large strip 3 minutes, the mediumslip 2 minutes <strong>and</strong> the smallest i minute, develop together <strong>and</strong> notethecontrasts.TO ENLARGE WITHOUT AN APPARATUS OR CONDENSER.Some time since, in making some experiments with a view to enlargefrom a large negative with an ordinary <strong>lantern</strong> with a 4-in. condenser,we discovered that this is to be done, but the loss <strong>of</strong> light is very great,<strong>and</strong> is not to be compared to a proper apparatus.Fig.67 shows how this may be arranged,—a sheet <strong>of</strong> ground glass thesize <strong>of</strong> the negative to defuse the light is fixed upright, (7, on to this abeam <strong>of</strong> light is thrown from the ordinary <strong>lantern</strong>, either oil or limelight.It is most necessary that the lens be attached to the <strong>lantern</strong>, otherwisean image <strong>of</strong> tl;e illuminant is thrown on the ground glass, this is taken upby the lens <strong>and</strong> transmitted to the screen. Flat to the ground glass G.

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