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The Art of projection and complete magic lantern ... - Yesterday Image

The Art of projection and complete magic lantern ... - Yesterday Image

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50Having the <strong>lantern</strong>, either a Triple or Biunial, in working order, thediscs all centred, <strong>and</strong> the crosses or carriers exactly trued, <strong>and</strong> in the exactcentre <strong>of</strong> condenser, by the method previously explained, commenceto register the first slide <strong>of</strong> any fresh series <strong>of</strong> effects to the trued carrieror cross slide, i.e., either by planing or building up the frames, so thatthe mats cover exactly the plain disc <strong>of</strong> the carrier or cross, <strong>and</strong> afterregistering slide no. i, register all succeeding slides to this.EFFECTS.Some Coniplicaied Effects., <strong>and</strong> how they should be jvorked.Exeter <strong>The</strong>atre Fire.— (i) Exterior <strong>of</strong> <strong>The</strong>atre by night, <strong>and</strong> lampsilluminated. (2.) Interior. (3.) smoke issuing from auditorium, veryfinely at first, then increasing in volume until flames burst forth. (4).And the whole auditorium is in one rolling mass <strong>of</strong> smoke <strong>and</strong> flame.(5, 6 <strong>and</strong> 7.) Exterior in flames, the fire burning out leaving only theruins. To work this effectively a triple is required, as three <strong>lantern</strong>sare in use at one time.Firstly, No. i exterior, then No. 2 <strong>and</strong> 3 are put on together, the rackslide No. 3 on which smoke i& painted, has a slip glass blacked, <strong>and</strong>when in its normal position all but obliterates the smoke itself.As 2 <strong>and</strong> 3 are dissolved on, gently turn the smoke rack, beingcareful that the h<strong>and</strong>le is being turned the right way. To see the smokedescending instead <strong>of</strong> rising, at once makes an otherwise gr<strong>and</strong> effectludicrous. To guard against such a mistake, cut deeply an arrow on theedge <strong>of</strong> the frame, so that in the dark the direction <strong>of</strong> the arrow may befelt. Continue to turn the smoke, at the same time gradually pulling<strong>of</strong>f the slip glass, uncovering more <strong>of</strong> the smoke. An assistant will benecessary to turn the smoke rack whilst the rack with the fire No. 4 is introducedinto the third <strong>lantern</strong>, dissolve this on gently, turning the h<strong>and</strong>le<strong>of</strong> the fire <strong>and</strong> gradually pull out the slip glass, which covers the fire,at the same time gently pushing back in its place the slip glass<strong>of</strong> the smoke rack, until the fire is on full <strong>and</strong> the smoke is covered up,dissolve <strong>of</strong>f this smoke rack <strong>and</strong> introduce the next picture (5.)No. 5. Exterior in flames, engines, firemen, etc. Dissolve <strong>of</strong>f theinterior <strong>and</strong> its fire rack, introducing No. 6 rack fire for exterior,gradually withdraw the slip glass until the flames cover the buildingto the full extent. After working the rack a few seconds, introduce the" Ruins," dissolve on with care. At this period we have three <strong>lantern</strong>sgoing until we dissolve <strong>of</strong>f No. 5. <strong>The</strong> rack fire <strong>and</strong> ruin slide are now

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