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2008 - Staatliche Kunstsammlungen Dresden

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View of the exhibition “Goldener Drache – Weißer Adler”<br />

(Golden Dragon – White Eagle)<br />

14 ChiNA iN DREsDEN<br />

humanism in China.<br />

Ein fotografisches Porträt<br />

A Contemporary Record<br />

of Photography<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> in association<br />

with Museum für Moderne Kunst,<br />

Frankfurt am Main, Staatsgalerie<br />

Stuttgart, Bayerische Staatsgemäldesammlungen,<br />

Munich, and <strong>Staatliche</strong><br />

Museen zu Berlin<br />

29th February – 1st June <strong>2008</strong><br />

Kunsthalle im Lipsiusbau<br />

Featuring around 600 documentary<br />

images by 250 photographers, this<br />

exhibition reflected everyday life in<br />

both urban and rural settings against<br />

the background of the modernisation<br />

of Chinese society over the past five<br />

decades. Four major themes were<br />

subjected to critical scrutiny from the<br />

viewpoint of Chinese photographers.<br />

These themes were: Existence, Relationships,<br />

Desires and Time. Beyond<br />

the economic boom in China’s cities,<br />

the pictures showed changes in dayto-day<br />

living in the wake of radical<br />

cultural upheavals.<br />

“Concubine” of the later Emperor<br />

Yong-zheng, c.1700 – 1722, and Electoral Princess<br />

“Maria Antonia of Bavaria”, 1754<br />

Chinese gardens for Living: illusion<br />

into Reality<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and the National<br />

Art Museum of China, Beijing<br />

28th June – 31st October <strong>2008</strong>, Schloss<br />

Pillnitz, Bergpalais and Schlosspark<br />

The philosophy of the Chinese garden<br />

is characterised by the law of Yin and<br />

Yang, the principle of duality whereby<br />

opposite phenomena are in a state of<br />

mutual attraction and dynamic equilibrium.<br />

The ultimate goal in the Far<br />

Eastern concept of a “garden” is the<br />

achievement of harmony between<br />

these two poles, the garden being both<br />

a place for living and a philosophical<br />

idea. A wide range of different works<br />

by contemporary Chinese artists reflecting<br />

on this philosophy turned the<br />

Bergpalais and parts of the Schlosspark<br />

into a place full of ideas and visions.<br />

Zeichen im Wandel der Zeit. Chinesische<br />

Tuschemalerei der gegenwart<br />

(The Transforming marks of ink.<br />

Contemporary Chinese ink Painting)<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> in association<br />

with the National Art Museum of<br />

China, Beijing, and <strong>Staatliche</strong> Museen<br />

zu Berlin<br />

View of the exhibition “Chinese Gardens for Living”<br />

28th June – 14th September <strong>2008</strong><br />

Kunsthalle im Lipsiusbau<br />

27th June – 24th September <strong>2008</strong><br />

Berlin, Special Exhibition Hall,<br />

Museen Dahlem<br />

This exhibition focused on the revival<br />

of traditional landscape and floral<br />

painting in China by contemporary<br />

Chinese artists. Approximately 90 exhibits<br />

illustrated how modern artists<br />

are turning to the ancient tradition of<br />

ink painting and developing it further.<br />

In addition to traditional scroll paintings<br />

on paper, the exhibition also included<br />

installations and video art.<br />

Simultaneously with the <strong>Dresden</strong> exhibition,<br />

the <strong>Staatliche</strong> Museen zu<br />

Berlin arranged a parallel presentation<br />

under the same title, which was dedicated<br />

to the depiction of people in the<br />

social structure of modern China.<br />

goldener Drache – Weißer Adler:<br />

kunst im Dienste der macht am<br />

kaiserhof von China und am sächsischpolnischen<br />

hof (1644 – 1795)<br />

(golden Dragon – White Eagle: Art in<br />

the service of Power at the imperial<br />

Court of China and at the saxon-<br />

Polish Court [1644 – 1795])<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and the Palace

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