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2008 - Staatliche Kunstsammlungen Dresden

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View of the exhibition “Captured Emotions: Baroque Painting in Bologna, 1575 – 1725”<br />

at the J. Paul Getty Museum, Los Angeles<br />

in <strong>2008</strong> treasures from their holdings were on display all<br />

over the world, from Los Angeles to Beijing. International<br />

exchanges of staff with other museums and research institutes<br />

do not attract so much attention. Some examples of<br />

this type of exchange during <strong>2008</strong> will be presented here.<br />

A long-term exchange between the <strong>Dresden</strong> Kupferstich-<br />

Kabinett and the Deutsches Forum für Kunstgeschichte<br />

(Centre Allemand d’Histoire de l’Art) in Paris was successfully<br />

carried out. Dr. Claudia Schnitzer, a curator at the<br />

Kupferstich-Kabinett, had the opportunity to conduct<br />

basic research in Paris on art transfer between the French<br />

capital and <strong>Dresden</strong> in the 18th century, a matter which is<br />

of considerable importance with regard to 18th-century<br />

courtly culture in general and for the history of the <strong>Dresden</strong><br />

Kupferstich-Kabinett in particular. In exchange, Dr. Tanja<br />

Baensch, a researcher from the Paris Institute, was able to<br />

gain valuable practical experience concerning museum<br />

operations and the organisation of exhibitions in <strong>Dresden</strong><br />

during the same period. Especially in view of the jubilee<br />

year 2010, this exchange provided a valuable contribution<br />

to research on the history of the <strong>Dresden</strong> collections.<br />

The <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> have had<br />

close and multifaceted relationships with the Getty Research<br />

Institute and other institutions of the J. Paul Getty<br />

Trust in Los Angeles for years now. Their links range from<br />

joint restoration projects to exhibition exchanges. After a<br />

Getty scholarship had previously enabled the Curator of<br />

Italian Paintings at the Gemäldegalerie Alte Meister, Dr.<br />

Andreas Henning, to undertake several study visits to Italy,<br />

in <strong>2008</strong> he was invited to Los Angeles as a “Museum<br />

Scholar”. This gave support to his work on a systematic<br />

catalogue of the Gallery’s holdings of Bolognese paintings<br />

dating from the 16th to the 18th century. Some initial<br />

findings were presented in an exhibition featuring a selection<br />

of Bolognese paintings from <strong>Dresden</strong> at the J. Paul<br />

Getty Museum in Los Angeles (see page 35).<br />

For the past few years, the support of the Getty Trust has<br />

also enabled a highly successful exchange programme to<br />

be conducted with Russia under the title “Art Transfer – A<br />

Research Project on German-Russian Cultural Relations<br />

since the 17th Century”. This provides the opportunity for<br />

German researchers to make study visits to Moscow or St.<br />

Petersburg and for Russian researchers to spend time in<br />

<strong>Dresden</strong>. Among other things, investigations are being<br />

conducted into the history of the collection of Count Brühl,<br />

which was purchased for St. Petersburg by the Russian<br />

Tsarina in 1763. In 2009 this research project is due to reach<br />

its conclusion for the time being.<br />

Thanks to the generous award of a Nicholas & Judith<br />

Goodison Scholarship, Dr. Jutta Kappel, Curator of the<br />

Grünes Gewölbe, was able to participate, along with<br />

other international art historians, in the Royal Collection<br />

Studies course organised by the Attingham Trust.<br />

An exchange programme which has been running for<br />

several years and which is made possible by a scholarship<br />

provided by Henry Arnhold, a native of <strong>Dresden</strong> who has<br />

been living in New York since having to emigrate from<br />

Germany, supports the continuous exchange of experience<br />

between <strong>Dresden</strong> and the Metropolitan Museum of Art.<br />

This year the Director of Administration at the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong>, Dirk Burghardt, was able to<br />

benefit from this opportunity.<br />

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