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2008 - Staatliche Kunstsammlungen Dresden

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54<br />

Eberhard Baldewein, Planetary Clock<br />

(detail), 1563 – 1568, Marburg and Kassel,<br />

Mathematisch-Physikalischer Salon<br />

?<br />

clock. The complex measures required to<br />

secure and preserve this masterpiece involved<br />

a broad range of technologies and<br />

methods. The workshop of the Mathematisch-Physikalischer<br />

Salon has the necessary<br />

know-how. The dismantling and<br />

reassembly of the complex mechanical<br />

components demands a high level of<br />

conservational skill and many years of ex-<br />

perience in dealing with complicated and<br />

delicate mechanical systems, as well as a<br />

thorough understanding of the astronomy<br />

on which it is based.<br />

In addition to the treatment of the various<br />

materials, the emphasis was primarily<br />

on conservation work. Scientific analyses<br />

of the materials, the close collaboration<br />

with specialists from the Bayerisches<br />

Nationalmuseum, the <strong>Staatliche</strong> Museen<br />

in Kassel and the other restoration workshops<br />

of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> were intended not only to ensure<br />

the acquisition of sound information<br />

about the historic materials and techniques<br />

but also to guarantee the longterm<br />

success of the restoration work. It is<br />

expected that the work will be completed<br />

during the second half of 2009.<br />

Detail of the Christ Child from the sculpture of<br />

the Madonna and Child, part of an altarpiece<br />

from St. Michael’s Church in Zeitz, before 1521.<br />

Hardwood, painted. Height: 187 cm, condition<br />

during restoration, Skulpturensammlung<br />

münzkabinett<br />

• Coin find from Kömmlitz (Delitzsch District)<br />

In 1990, during inspection of an area designated<br />

for open-cast lignite mining close<br />

to the demolished village of Kömmlitz,<br />

a hoard of coins from the early modern<br />

period was discovered. The 292 coins had<br />

been concealed in a brown glazed earthenware<br />

jug. The coins range in date from<br />

1569/71 to 1727. The find consists mainly<br />

of Brandenburg-Prussian and Saxon coins.<br />

The oldest object in the hoard is an undated<br />

Schwarzburg Groschen from the<br />

Arnstadt mint produced under Count<br />

Günther XLI (1552 – 1583). The most recent<br />

coins are two 5-Kreuzer pieces from the<br />

Duchy of Württemberg and a 10-Kreuzer<br />

piece from the Landgraviate of Hessen-<br />

Darmstadt, all from the year 1727 (date of<br />

concealment therefore not earlier than<br />

1727). In order for the hoard to be fully and<br />

precisely identified, it was necessary to<br />

clean and remove corrosion from a total<br />

of 97 coins. At the same time, several<br />

coins which had corroded together had to<br />

be gently separated. After the completion<br />

of restoration it became clear that the<br />

majority of the coins were in a very good<br />

to excellent state of preservation.<br />

Brandenburg-Prussia, Elector Friedrich III (1688 – 1733), 2/3 Taler 1691,<br />

Magdeburg mint; Obverse and reverse of the coin before and after<br />

restoration, Münzkabinett<br />

Rüstkammer<br />

The restoration workshop of the Rüstkammer<br />

is engaged in intensive preparations,<br />

encompassing detailed scientific studies<br />

and large-scale restoration work, for the<br />

transfer of the museum to the Residenzschloss<br />

and the installation and opening<br />

of the Türckische Cammer. One of the outstanding<br />

tasks among the large amount<br />

of restoration work required for the<br />

Türckische Cammer is the completion of<br />

work on the largest of the Rüstkammer’s<br />

Ottoman tents, which has been undergoing<br />

restoration for several years now. Another<br />

major restoration project is the continuation<br />

of work on the set of ceremonial<br />

arms produced by Prague goldsmith Johann<br />

Michael, one of the Türckische Cammer’s<br />

pre-eminent masterpieces of European<br />

craftsmanship in oriental style.<br />

• The Court Costume of Elector Moritz<br />

Renaissance costume restored for <strong>Dresden</strong><br />

at the Abegg-Stiftung, Switzerland<br />

In <strong>2008</strong> the Rüstkammer was able to take<br />

possession of this costume as a special<br />

kind of donation. The Abegg-Stiftung in<br />

Riggisberg had generously taken over the<br />

task of restoring this court costume belonging<br />

to Elector Moritz of Saxony (1521 –<br />

1553), a project which took several years.<br />

The yellow and black silk garment decorated<br />

with gold and silver braiding dates<br />

from the height of the fashion era reflect-

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