2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
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54<br />
Eberhard Baldewein, Planetary Clock<br />
(detail), 1563 – 1568, Marburg and Kassel,<br />
Mathematisch-Physikalischer Salon<br />
?<br />
clock. The complex measures required to<br />
secure and preserve this masterpiece involved<br />
a broad range of technologies and<br />
methods. The workshop of the Mathematisch-Physikalischer<br />
Salon has the necessary<br />
know-how. The dismantling and<br />
reassembly of the complex mechanical<br />
components demands a high level of<br />
conservational skill and many years of ex-<br />
perience in dealing with complicated and<br />
delicate mechanical systems, as well as a<br />
thorough understanding of the astronomy<br />
on which it is based.<br />
In addition to the treatment of the various<br />
materials, the emphasis was primarily<br />
on conservation work. Scientific analyses<br />
of the materials, the close collaboration<br />
with specialists from the Bayerisches<br />
Nationalmuseum, the <strong>Staatliche</strong> Museen<br />
in Kassel and the other restoration workshops<br />
of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> were intended not only to ensure<br />
the acquisition of sound information<br />
about the historic materials and techniques<br />
but also to guarantee the longterm<br />
success of the restoration work. It is<br />
expected that the work will be completed<br />
during the second half of 2009.<br />
Detail of the Christ Child from the sculpture of<br />
the Madonna and Child, part of an altarpiece<br />
from St. Michael’s Church in Zeitz, before 1521.<br />
Hardwood, painted. Height: 187 cm, condition<br />
during restoration, Skulpturensammlung<br />
münzkabinett<br />
• Coin find from Kömmlitz (Delitzsch District)<br />
In 1990, during inspection of an area designated<br />
for open-cast lignite mining close<br />
to the demolished village of Kömmlitz,<br />
a hoard of coins from the early modern<br />
period was discovered. The 292 coins had<br />
been concealed in a brown glazed earthenware<br />
jug. The coins range in date from<br />
1569/71 to 1727. The find consists mainly<br />
of Brandenburg-Prussian and Saxon coins.<br />
The oldest object in the hoard is an undated<br />
Schwarzburg Groschen from the<br />
Arnstadt mint produced under Count<br />
Günther XLI (1552 – 1583). The most recent<br />
coins are two 5-Kreuzer pieces from the<br />
Duchy of Württemberg and a 10-Kreuzer<br />
piece from the Landgraviate of Hessen-<br />
Darmstadt, all from the year 1727 (date of<br />
concealment therefore not earlier than<br />
1727). In order for the hoard to be fully and<br />
precisely identified, it was necessary to<br />
clean and remove corrosion from a total<br />
of 97 coins. At the same time, several<br />
coins which had corroded together had to<br />
be gently separated. After the completion<br />
of restoration it became clear that the<br />
majority of the coins were in a very good<br />
to excellent state of preservation.<br />
Brandenburg-Prussia, Elector Friedrich III (1688 – 1733), 2/3 Taler 1691,<br />
Magdeburg mint; Obverse and reverse of the coin before and after<br />
restoration, Münzkabinett<br />
Rüstkammer<br />
The restoration workshop of the Rüstkammer<br />
is engaged in intensive preparations,<br />
encompassing detailed scientific studies<br />
and large-scale restoration work, for the<br />
transfer of the museum to the Residenzschloss<br />
and the installation and opening<br />
of the Türckische Cammer. One of the outstanding<br />
tasks among the large amount<br />
of restoration work required for the<br />
Türckische Cammer is the completion of<br />
work on the largest of the Rüstkammer’s<br />
Ottoman tents, which has been undergoing<br />
restoration for several years now. Another<br />
major restoration project is the continuation<br />
of work on the set of ceremonial<br />
arms produced by Prague goldsmith Johann<br />
Michael, one of the Türckische Cammer’s<br />
pre-eminent masterpieces of European<br />
craftsmanship in oriental style.<br />
• The Court Costume of Elector Moritz<br />
Renaissance costume restored for <strong>Dresden</strong><br />
at the Abegg-Stiftung, Switzerland<br />
In <strong>2008</strong> the Rüstkammer was able to take<br />
possession of this costume as a special<br />
kind of donation. The Abegg-Stiftung in<br />
Riggisberg had generously taken over the<br />
task of restoring this court costume belonging<br />
to Elector Moritz of Saxony (1521 –<br />
1553), a project which took several years.<br />
The yellow and black silk garment decorated<br />
with gold and silver braiding dates<br />
from the height of the fashion era reflect-