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2008 - Staatliche Kunstsammlungen Dresden

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Huang Yan, Chinese Shan-Shui Tatoo<br />

No. 13, 1999<br />

Museum, Beijing<br />

11th October <strong>2008</strong> – 11th January 2009<br />

Residenzschloss<br />

Rulers required not only real power<br />

but, above all, outward demonstrations<br />

of power and prestige. The comparison<br />

between these culturally different<br />

historic “control centres” clearly demonstrates<br />

the functioning of courtly<br />

representation. The exhibition focused<br />

on similarities and differences with<br />

regard to employment of the arts,<br />

court ceremonial and the respective<br />

collecting policies of the two courts.<br />

For the first time, works of art from the<br />

Imperial Palace of China were displayed<br />

alongside objects from the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> in a joint<br />

exhibition. The court of the Chinese<br />

Emperors, unrivalled in the diversity of<br />

its treasures, found a worthy counterpart<br />

in the Saxon-Polish court, a centre<br />

of the European fashion of ‘chinoiserie’.<br />

The approximately 400 top-quality<br />

exhibits were divided into six sections:<br />

“Representational Displays of Power”,<br />

“Festivities”, “The Court Household”,<br />

“Grand Architecture”, “Courtly Arts<br />

and Sciences” and “Politics and Diplomacy”.<br />

Hao Junchen, ”An old man with a photo<br />

of his late wife realises their shared dream<br />

of a trip to Beijing”, Beijing, 2003<br />

Ost trifft West (East meets West)<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> with the kind<br />

support of <strong>Staatliche</strong> Schlösser, Burgen<br />

und Gärten Sachsen<br />

15th June – 14th September <strong>2008</strong><br />

Brühlscher Garten, Brühlsche Terrasse<br />

This accompanying exhibition was<br />

conceived and created by the designer<br />

and artist Yang Liu, who was born in<br />

Beijing and now lives in Berlin. Her<br />

succinct pictograms contrast German<br />

and Chinese cultural differences in a<br />

humorous ironic way, inviting open<br />

discussion about cultural identity and<br />

the value systems of each country.<br />

DREsDEN iN ChiNA<br />

Visitor to the exhibition<br />

“Zeichen im Wandel der Zeit”<br />

(The Transforming Marks of Ink)<br />

gerhard Richter. bilder 1963 – 2007<br />

(gerhard Richter. Paintings 1963 – 2007)<br />

Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and the Museum<br />

Frieder Burda, Baden-Baden, in<br />

association with the Bayerische<br />

Staatsgemäldesammlungen, Munich,<br />

and the <strong>Staatliche</strong> Museen zu Berlin<br />

15th May – 2nd July <strong>2008</strong><br />

National Art Museum of China, Beijing<br />

For the first time, a large-scale retrospective<br />

of paintings by Gerhard Richter<br />

Exhibition “Zeichen im Wandel der Zeit”<br />

in the Kunsthalle im Lipsiusbau<br />

was on display in China. The artist himself<br />

selected the exhibits and the form<br />

of presentation. No other international<br />

contemporary artist has had such an<br />

immense influence on the young generation<br />

of artists in China as Gerhard<br />

Richter.<br />

Living Landscapes.<br />

A journey through german Art<br />

Exhibition by the <strong>Staatliche</strong> Museen zu<br />

Berlin, <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> and Bayerische<br />

Staatsgemäldesammlungen, Munich<br />

15th May – 2nd <strong>2008</strong><br />

National Art Museum of China, Beijing<br />

This exhibition showed an outstanding<br />

selection of German landscape paintings<br />

produced over the past 200 years. The<br />

theme of “Figure and Landscape” was a<br />

determining and unifying factor in these<br />

paintings, which ranged from the Romantic<br />

period via Expressionism to the<br />

present day. All three artistic epochs have<br />

been of great importance for the history<br />

of <strong>Dresden</strong>, Berlin and Munich as centres<br />

of the arts and are major collecting focal<br />

points of the state art collections.<br />

All these exhibitions took place under the joint<br />

patronage of German Federal President Horst<br />

Köhler and Hu Jintao, State President of the<br />

People’s Republic of China.<br />

15

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