2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
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Huang Yan, Chinese Shan-Shui Tatoo<br />
No. 13, 1999<br />
Museum, Beijing<br />
11th October <strong>2008</strong> – 11th January 2009<br />
Residenzschloss<br />
Rulers required not only real power<br />
but, above all, outward demonstrations<br />
of power and prestige. The comparison<br />
between these culturally different<br />
historic “control centres” clearly demonstrates<br />
the functioning of courtly<br />
representation. The exhibition focused<br />
on similarities and differences with<br />
regard to employment of the arts,<br />
court ceremonial and the respective<br />
collecting policies of the two courts.<br />
For the first time, works of art from the<br />
Imperial Palace of China were displayed<br />
alongside objects from the <strong>Staatliche</strong><br />
<strong>Kunstsammlungen</strong> <strong>Dresden</strong> in a joint<br />
exhibition. The court of the Chinese<br />
Emperors, unrivalled in the diversity of<br />
its treasures, found a worthy counterpart<br />
in the Saxon-Polish court, a centre<br />
of the European fashion of ‘chinoiserie’.<br />
The approximately 400 top-quality<br />
exhibits were divided into six sections:<br />
“Representational Displays of Power”,<br />
“Festivities”, “The Court Household”,<br />
“Grand Architecture”, “Courtly Arts<br />
and Sciences” and “Politics and Diplomacy”.<br />
Hao Junchen, ”An old man with a photo<br />
of his late wife realises their shared dream<br />
of a trip to Beijing”, Beijing, 2003<br />
Ost trifft West (East meets West)<br />
Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> with the kind<br />
support of <strong>Staatliche</strong> Schlösser, Burgen<br />
und Gärten Sachsen<br />
15th June – 14th September <strong>2008</strong><br />
Brühlscher Garten, Brühlsche Terrasse<br />
This accompanying exhibition was<br />
conceived and created by the designer<br />
and artist Yang Liu, who was born in<br />
Beijing and now lives in Berlin. Her<br />
succinct pictograms contrast German<br />
and Chinese cultural differences in a<br />
humorous ironic way, inviting open<br />
discussion about cultural identity and<br />
the value systems of each country.<br />
DREsDEN iN ChiNA<br />
Visitor to the exhibition<br />
“Zeichen im Wandel der Zeit”<br />
(The Transforming Marks of Ink)<br />
gerhard Richter. bilder 1963 – 2007<br />
(gerhard Richter. Paintings 1963 – 2007)<br />
Exhibition by the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> and the Museum<br />
Frieder Burda, Baden-Baden, in<br />
association with the Bayerische<br />
Staatsgemäldesammlungen, Munich,<br />
and the <strong>Staatliche</strong> Museen zu Berlin<br />
15th May – 2nd July <strong>2008</strong><br />
National Art Museum of China, Beijing<br />
For the first time, a large-scale retrospective<br />
of paintings by Gerhard Richter<br />
Exhibition “Zeichen im Wandel der Zeit”<br />
in the Kunsthalle im Lipsiusbau<br />
was on display in China. The artist himself<br />
selected the exhibits and the form<br />
of presentation. No other international<br />
contemporary artist has had such an<br />
immense influence on the young generation<br />
of artists in China as Gerhard<br />
Richter.<br />
Living Landscapes.<br />
A journey through german Art<br />
Exhibition by the <strong>Staatliche</strong> Museen zu<br />
Berlin, <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />
<strong>Dresden</strong> and Bayerische<br />
Staatsgemäldesammlungen, Munich<br />
15th May – 2nd <strong>2008</strong><br />
National Art Museum of China, Beijing<br />
This exhibition showed an outstanding<br />
selection of German landscape paintings<br />
produced over the past 200 years. The<br />
theme of “Figure and Landscape” was a<br />
determining and unifying factor in these<br />
paintings, which ranged from the Romantic<br />
period via Expressionism to the<br />
present day. All three artistic epochs have<br />
been of great importance for the history<br />
of <strong>Dresden</strong>, Berlin and Munich as centres<br />
of the arts and are major collecting focal<br />
points of the state art collections.<br />
All these exhibitions took place under the joint<br />
patronage of German Federal President Horst<br />
Köhler and Hu Jintao, State President of the<br />
People’s Republic of China.<br />
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