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2008 - Staatliche Kunstsammlungen Dresden

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The classical marble<br />

statue “Antinous” at<br />

the J. Paul Getty<br />

Museum, Los Angeles<br />

The court costume of Elector Moritz of Saxony (1521 – 1553), restored at the Abegg-Stiftung<br />

in Riggisberg, Switzerland<br />

ed in paintings by Titian, Hans Holbein the<br />

Younger and the Cranachs. No other original<br />

costume belonging to a ruler of this<br />

period has been preserved anywhere else.<br />

The detective work in the archives and the<br />

meticulous study of the costume itself,<br />

which brought several surprises to light,<br />

as well as the subsequent careful restoration<br />

work, have reinstated the costume’s<br />

authenticity as a piece of historical testimony<br />

and as a memorial to one of the<br />

most important Wettin rulers. The court<br />

costume will be presented to the public in<br />

a special exhibition during 2009.<br />

skulpturensammlung<br />

• Restoration of the »<strong>Dresden</strong> Zeus«<br />

As in the previous year, a large amount of<br />

restoration work was begun, continued or<br />

completed in preparation for the collection’s<br />

new permanent exhibition and for<br />

the exhibition “Unter Göttern und Menschen”<br />

(Among Gods and Men) at the<br />

Prado in Madrid, which opened on 4th November<br />

<strong>2008</strong>. A great deal of restoration<br />

work is still needed on the classical sculptures<br />

and their Baroque additions. One<br />

of the larger projects is the statue known<br />

as the “<strong>Dresden</strong> Zeus”, the restoration of<br />

which was completed. In addition to the<br />

cleaning of the statue and its investigation<br />

for traces of ancient painting, the<br />

19th-century plaster additions were removed<br />

and replaced by new ones. Finally,<br />

the additions were made to match the<br />

colour of the original statue and the plaster<br />

arms were not replaced, because<br />

according to the latest research findings<br />

they did not conform to the original.<br />

• The classical marble statue »Antinous«<br />

A further focal point of the museum’s restoration<br />

work – the larger than life-sized<br />

classical sculpture depicting “Antinous” –<br />

was restored in association with the J.<br />

Paul Getty Museum, Los Angeles. This<br />

sculpture had been damaged when the<br />

<strong>Dresden</strong> works of art were returned from<br />

During restoration work on “Antinous” at the<br />

J. Paul Getty Museum, Los Angeles<br />

the former Soviet Union and since then<br />

it had been conserved in the storerooms<br />

of Skulpturensammlung. The cooperative<br />

partnership with the Getty Museum made<br />

it possible to undertake the extremely<br />

complex restoration of the statue, including<br />

the necessary scientific analyses. In<br />

the restoration workshops of the Getty<br />

the statue was completely de-restored, i.e.<br />

it was taken apart and its more than 80<br />

original fragments were then carefully<br />

cleaned. After removing connecting irons<br />

from the fragments, some of which were<br />

very fragile, the statue was reversibly<br />

reassembled, filled in and retouched. This<br />

work was performed jointly by the restorers<br />

of the Skulpturensammlung and the<br />

restorers of the Getty Museum. From December<br />

<strong>2008</strong> until June 2009 the statue<br />

is on display in the exhibition “Reconstructing<br />

Identity: A Statue of a God from<br />

<strong>Dresden</strong>”.<br />

55

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