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2008 - Staatliche Kunstsammlungen Dresden

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Zwinger, Mathematisch-Physikalischer Salon:<br />

Archaeological excavations in the Grottensaal,<br />

water supply system for the fountains,<br />

autumn <strong>2008</strong><br />

rensammlung in the Albertinum will, from 2010, focus on<br />

19th and 20th century works and on contemporary art.<br />

From Romanticism to contemporary installations, video<br />

art and paintings, the works will be presented in a manner<br />

that has never previously been possible. The art will be<br />

exhibited in the architecturally different settings in such<br />

a way that the experience of the room and the reception<br />

of the art will complement and enrich one another. But<br />

there is still a lot of building work to be done before<br />

<strong>Dresden</strong> can delight fans of contemporary art in the new<br />

Albertinum. The scaffolding under the Ark has already been<br />

removed, but building materials and tools still fill the huge<br />

foyer and the structurally completed rooms of the old<br />

building.<br />

All in all, the Free State of Saxony is investing 45 million<br />

Euro in the construction of the new Ark and the restoration<br />

of the old building:<br />

Total floor area of the Albertinum: 12,400 m 2 · New storage<br />

and workshop structure: floor area (extending over 2 storeys):<br />

2,400 m 2 · Weight of steel structure: 2,700 t · Length 72 m,<br />

Width 24 m · Height above the inner courtyard: 12 m · Start<br />

of construction: November 2006.<br />

surprising find in the Zwinger<br />

In the Mathematisch-Physikalischer Salon the rediscovery<br />

of the historic Grottensaal (Grotto Hall) was a great surprise.<br />

Since May <strong>2008</strong> the Landesamt für Archäologie<br />

(State Office for Archaeology) had been conducting excavations<br />

on the ground floor ahead of other construction<br />

projects. These revealed the well-preserved underground<br />

water supply system for a large fountain. The archaeolo-<br />

The grotto in the Zwinger, engraving by Zucchi after Matthäus<br />

Daniel Pöppelmann, early 18th century, Kupferstich-Kabinett<br />

The inner courtyard of the Albertinum<br />

still full of scaffolding, October <strong>2008</strong><br />

gists were able to ascertain beyond doubt that the find<br />

was part of the original fittings of the Grottensaal, which<br />

was built on the ground floor in 1714. An engraving by<br />

Matthäus Daniel Pöppelmann dating from 1729 shows the<br />

Grottensaal as a room which was brightly painted and<br />

decorated with stucco. In the early 19th century the Grottensaal<br />

was altered because the damp from the fountains<br />

had damaged the building. The wall decorations were removed.<br />

The Landesamt für Archäologie has designated the<br />

finding of numerous fragments of the room’s stucco decor<br />

in a layer of infill as an amazing piece of archaeological<br />

good fortune. These stucco fragments depict faces, sea<br />

shells and architectural features, which are of great significance<br />

for researchers investigating the history of the<br />

building of the <strong>Dresden</strong> Zwinger, since these fragments<br />

provide the first evidence of the colours used in the decoration<br />

of the Grottensaal. The question of whether the<br />

finds can be integrated into the new design of the Mathematisch-Physikalischer<br />

Salon is still open.<br />

The Mathematisch-Physikalischer Salon is being refurbished<br />

as part of the restoration work on the Zwinger. The<br />

Saxon government has set aside a budget of 12.5 million<br />

Euro for this purpose.<br />

The building project encompasses the following:<br />

Thorough rehabilitation of the structural substance of this<br />

historic monument between the Crown Gate and the Wall<br />

Pavilion · Restructuring and separation of public and nonpublic<br />

areas of the museum · Design of a suitable reception<br />

area for visitors · High-standard presentation of the new<br />

exhibition.

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