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2008 - Staatliche Kunstsammlungen Dresden

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The former home of Leo Tolstoy at Yasnaya Polyana<br />

is now a museum. In the background: a depiction of<br />

Tolstoy’s wife as Raphael’s “Sistine Madonna”<br />

24 TRiP TO RUssiA<br />

Visit to the Architectural-Ethnographical Open-Air<br />

Museum, Irkutsk region<br />

<strong>Dresden</strong> in Russia<br />

Tula, Irkutsk and Nizhni Novgorod were the stopping points<br />

on a tour by staff of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong><br />

<strong>Dresden</strong> in June <strong>2008</strong>. Exchange between <strong>Dresden</strong> and<br />

Russia had hitherto focused on Moscow and St. Petersburg,<br />

but little attention had been paid to museums outside<br />

these two main cities. The idea therefore arose of becoming<br />

better acquainted with Russian provincial museums.<br />

There was also another reason for the journey: in autumn<br />

<strong>2008</strong> it was the 50th anniversary of the return of the works<br />

of art that had been taken to the Soviet Union in 1945 – and<br />

hence of the “rebirth” of the <strong>Dresden</strong> museums.<br />

The <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>, headed by<br />

their Director-General, made up just under half the 30strong<br />

group. They were accompanied by representatives<br />

of other institutions as well as journalists. The group was<br />

guided by the cultural correspondent of the Frankfurter<br />

Allgemeine Zeitung in Russia, Kerstin Holm.<br />

The first destination was the “Museum of Fine Arts” in<br />

Tula near Moscow. Its collection is typical of a museum<br />

founded only after the October Revolution. The focal points<br />

are a collection of icons, Russian portrait and landscape<br />

paintings and also Western art. The sources for the museum’s<br />

holdings were mainly the confiscated collections of<br />

the local aristocracy as well as the contents of monasteries.<br />

In the 1920s and 1960s works from Moscow and Leningrad<br />

museums were also transferred to there.<br />

A night flight then took the group from Moscow to<br />

Irkutsk. The “V. P. Sukachov Regional Art Museum” is the<br />

Staff of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong><br />

and other German cultural institutions in front of the<br />

V. P. Sukachov Regional Art Museum, Irkutsk<br />

oldest museum in Sibiria. It holds over 16,000 works, including<br />

an important collection of icons. There are also<br />

Russian paintings from the 18th and 19th centuries, as well<br />

as a small West European department. Some paintings are<br />

labelled as donations from a Moscow art collector who<br />

acted as a patron of provincial museums – and by this<br />

means a few items of “looted art” from Germany also<br />

found their way to Sibiria.<br />

The next day, the group travelled first to Lake Baikal<br />

before flying westwards again to Nizhni Novgorod. The<br />

State Museum there is among the most important museums<br />

in Russia and has departments that are of international<br />

rank. These include the icon collection and the collection<br />

of Russian painting from the period around 1900.<br />

The early Modern period is well represented, with works<br />

by Kandinsky, Malevich, Gontscharova and others. The<br />

spectrum of Western art ranges from Cranach to Bellotto.<br />

These include paintings found in a railway wagon, the<br />

contents of which had been stolen by German troops from<br />

Jewish collectors in Hungary. Red Army soldiers seized the<br />

wagon near Berlin in 1945 and later left it in the city where<br />

they were stationed, which was Nizhni Novgorod. In<br />

principle, these works do not fall under the law passed by<br />

the Duma ruling out restitutions.<br />

This tour would not have been possible without perfect<br />

preparation and guidance. The employees of the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong>, Oksana Katvalyuk and Yulia Vashchenko,<br />

took charge of the organisation; Birgit Dalbajewa<br />

(Galerie Neue Meister) contributed her profound knowledge<br />

of Russian art. Kerstin Holm gave expert explanations.

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