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2008 - Staatliche Kunstsammlungen Dresden

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Opening of the exhibition “Von Friedrich bis Dix” (From Friedrich to Dix) in<br />

the Hermitage, St. Petersburg, with (from left to right) Prof. Dr. Martin Roth,<br />

Dr. Eva-Maria Stange, Saxon State Minister for Science and Art, and Prof. Dr.<br />

Michael Piotrowski, Director of the State Hermitage<br />

22 rebuilding of <strong>Dresden</strong> and its art collections would not<br />

have been possible, says Martin Roth; <strong>Dresden</strong> would look<br />

very different today. The collaboration with St. Petersburg<br />

and the Hermitage is also, however, a contribution to longterm<br />

dialogue between the institutions and to the preparation<br />

of research projects and future exhibitions.<br />

Finally, the Gemäldegalerie Alte Meister held an exhibition<br />

in Los Angeles, in which it displayed 27 masterpieces<br />

of Bolognese painting, one of its collecting focal points,<br />

along with paintings from the J. Paul Getty Museum and<br />

other Californian collections. Just a few days later at the<br />

Getty Villa in Malibu, part of the J. Paul Getty Museum, an<br />

exhibition opened which was devoted to the sensational<br />

restoration and reinterpretation of a severely damaged<br />

statue of Bacchus belonging to the <strong>Dresden</strong> Skulpturensammlung.<br />

Here, too, the exhibition was the result of<br />

collaboration between researchers and restorers from Los<br />

Angeles and <strong>Dresden</strong>, who were able to build upon the<br />

experience gathered in the previous joint project concerning<br />

the “Herculaneum Women”. Following their restoration<br />

in the Berlin Antikensammlung, a comprehensive monograph<br />

concerning these famous statues from the Skulpturensammlung<br />

was published by the Getty, first in English<br />

and now also in German. Until October <strong>2008</strong> the statues<br />

were on display in the Getty Villa and were seen there by<br />

230,000 visitors.<br />

Whilst Martin Roth hopes for greater normality in the<br />

partnerships with the Eastern European states and even<br />

sees great further potential with regard to partners in<br />

Western Europe, in order perhaps in future to be able to<br />

create joint institutions, joint advisory bodies and boards,<br />

Signing of the partnership agreement with the J. Paul Getty Trust on 25th July <strong>2008</strong> in <strong>Dresden</strong>:<br />

with Prof. Dr. Martin Roth (seated, left) and Dr. Michael Brand, Director of the J. Paul Getty Museum<br />

in Los Angeles (seated, right), in the presence of (standing, from left to right) Dirk Burghardt,<br />

Director of Administration at the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>, Prof. Dr. Thomas W.<br />

Gaehtgens, Director of the Getty Research Institute, James Wood, President of the J. Paul Getty<br />

Trust, and Dr. Andreas Henning, Curator of Italian Paintings at the Gemäldegalerie Alte Meister<br />

and even to build joint collections, he also sees collaboration<br />

with museums outside Europe, such as in Japan or<br />

America, as an opportunity to draw attention to <strong>Dresden</strong><br />

and to German culture in general, in addition to conducting<br />

joint research and exhibition projects. With their<br />

treasures, the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> are<br />

eminently suitable for taking on that role.<br />

israel – Azerbaijan – Taiwan<br />

In addition to their presentations abroad, the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> also played host in <strong>Dresden</strong> to exhibitions<br />

by partners from other countries. From early March<br />

to the beginning of May <strong>2008</strong> an unusual multimedia<br />

presentation by the Yad Vashem Holocaust Memorial<br />

Centre in Israel was on view in the Residenzschloss. This<br />

impressive show, which illustrated how Jewish women<br />

responded to the extreme circumstances of violence and<br />

oppression, how they struggled to survive and endeavoured<br />

to preserve their identity as human beings and as women,<br />

was on display for the first time outside Israel and attracted<br />

great interest among the visitors. In order to be<br />

able to bring more and larger exhibitions by the Yad<br />

Vashem Memorial Centre and to encourage school students<br />

and young people, in particular, to engage with them, two<br />

members of the Museum Education department from<br />

<strong>Dresden</strong> were invited to take part in a ten-day further<br />

education course in Israel immediately after the exhibition.<br />

From mid-June to mid-July <strong>2008</strong> another exhibition was<br />

held in the Residenzschloss, this time featuring contemporary<br />

art from Azerbaijan. With various artistic items, the

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