2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
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Caspar David Friedrich, Two men<br />
contemplating the moon, 1819/20,<br />
Galerie Neue Meister<br />
Fifty works by major artists from the period<br />
1800 to 1940 which determine the<br />
character of the <strong>Dresden</strong> collection, ranging<br />
from the Romantic period to Neue<br />
Sachlichkeit, were selected for this exhibition<br />
at the State Hermitage in St. Petersburg.<br />
The show included works by such<br />
artists as Lovis Corinth, Conrad Felixmüller<br />
and Ludwig Richter, as well as Wilhelm<br />
Leibl and Max Liebermann. The exhibition<br />
was an expression of gratitude and appreciation<br />
for the return of the <strong>Dresden</strong><br />
works of art, which had been transported<br />
to the Soviet Union in the wake of the<br />
Second World War and were returned during<br />
the period 1956 – 1958. At the same<br />
time, it was a contribution to the<br />
strengthening of cooperation with museums<br />
in the successor states to the Soviet<br />
Union. For years now, this museum dialogue<br />
has found expression in joint research<br />
projects, loan exchanges, conferences<br />
and exhibitions.<br />
• Captured Emotions – Baroque Painting<br />
in Bologna 1575 – 1725<br />
Exhibition by the Gemäldegalerie Alte<br />
Meister and the J. Paul Getty Museum,<br />
Los Angeles<br />
16th December <strong>2008</strong> – 3rd May 2009<br />
The J. Paul Getty Museum, Los Angeles<br />
This exhibition was made possible by<br />
twenty-seven masterpieces from the<br />
Gemäldegalerie Alte Meister supplemented<br />
by 17 additional works from the J. Paul<br />
Annibale Carracci, Madonna enthroned with<br />
St. Matthew, 1588, Gemäldegalerie Alte Meister<br />
Getty Museum and other Californian collections.<br />
The focus was on the discovery<br />
of emotions by 17th-century artists. They<br />
made a decisive contribution to the rhetoric<br />
of painting by succeeding in capturing<br />
the whole range of human emotions in<br />
the gestures of their subjects. That is why<br />
the title “Captured Emotions” was chosen<br />
for this jointly curated exhibition, through<br />
which the successful collaboration between<br />
<strong>Dresden</strong> and the Getty was continued.<br />
• Reconstructing Identity:<br />
The Statue of a God from <strong>Dresden</strong><br />
Exhibition by the J. Paul Getty Museum,<br />
Los Angeles<br />
18th December <strong>2008</strong> – 1st June 2009<br />
The Getty Villa, Malibu<br />
This exhibition by the Getty Villa in Malibu,<br />
which belongs to the J. Paul Getty Museum,<br />
featured a further enigmatic piece of<br />
classical sculpture following the presentation<br />
of the Herculaneum Women, which<br />
were on display there until October <strong>2008</strong>.<br />
The male statue, which was severely damaged<br />
in the Second World War, was pieced<br />
together from countless fragments and<br />
reinterpreted by a research colloquium.<br />
Known since 1600, the sculpture was considered<br />
to be a depiction of Alexander the<br />
Great, Antinous or Dionysus. After the<br />
reopening of the Skulpturensammlung in<br />
<strong>Dresden</strong> it will once again be one of the<br />
museum’s special attractions.<br />
View of the exhibition “Among Gods and Men”<br />
at the Museo Nacional del Prado<br />
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