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2008 - Staatliche Kunstsammlungen Dresden

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Caspar David Friedrich, Two men<br />

contemplating the moon, 1819/20,<br />

Galerie Neue Meister<br />

Fifty works by major artists from the period<br />

1800 to 1940 which determine the<br />

character of the <strong>Dresden</strong> collection, ranging<br />

from the Romantic period to Neue<br />

Sachlichkeit, were selected for this exhibition<br />

at the State Hermitage in St. Petersburg.<br />

The show included works by such<br />

artists as Lovis Corinth, Conrad Felixmüller<br />

and Ludwig Richter, as well as Wilhelm<br />

Leibl and Max Liebermann. The exhibition<br />

was an expression of gratitude and appreciation<br />

for the return of the <strong>Dresden</strong><br />

works of art, which had been transported<br />

to the Soviet Union in the wake of the<br />

Second World War and were returned during<br />

the period 1956 – 1958. At the same<br />

time, it was a contribution to the<br />

strengthening of cooperation with museums<br />

in the successor states to the Soviet<br />

Union. For years now, this museum dialogue<br />

has found expression in joint research<br />

projects, loan exchanges, conferences<br />

and exhibitions.<br />

• Captured Emotions – Baroque Painting<br />

in Bologna 1575 – 1725<br />

Exhibition by the Gemäldegalerie Alte<br />

Meister and the J. Paul Getty Museum,<br />

Los Angeles<br />

16th December <strong>2008</strong> – 3rd May 2009<br />

The J. Paul Getty Museum, Los Angeles<br />

This exhibition was made possible by<br />

twenty-seven masterpieces from the<br />

Gemäldegalerie Alte Meister supplemented<br />

by 17 additional works from the J. Paul<br />

Annibale Carracci, Madonna enthroned with<br />

St. Matthew, 1588, Gemäldegalerie Alte Meister<br />

Getty Museum and other Californian collections.<br />

The focus was on the discovery<br />

of emotions by 17th-century artists. They<br />

made a decisive contribution to the rhetoric<br />

of painting by succeeding in capturing<br />

the whole range of human emotions in<br />

the gestures of their subjects. That is why<br />

the title “Captured Emotions” was chosen<br />

for this jointly curated exhibition, through<br />

which the successful collaboration between<br />

<strong>Dresden</strong> and the Getty was continued.<br />

• Reconstructing Identity:<br />

The Statue of a God from <strong>Dresden</strong><br />

Exhibition by the J. Paul Getty Museum,<br />

Los Angeles<br />

18th December <strong>2008</strong> – 1st June 2009<br />

The Getty Villa, Malibu<br />

This exhibition by the Getty Villa in Malibu,<br />

which belongs to the J. Paul Getty Museum,<br />

featured a further enigmatic piece of<br />

classical sculpture following the presentation<br />

of the Herculaneum Women, which<br />

were on display there until October <strong>2008</strong>.<br />

The male statue, which was severely damaged<br />

in the Second World War, was pieced<br />

together from countless fragments and<br />

reinterpreted by a research colloquium.<br />

Known since 1600, the sculpture was considered<br />

to be a depiction of Alexander the<br />

Great, Antinous or Dionysus. After the<br />

reopening of the Skulpturensammlung in<br />

<strong>Dresden</strong> it will once again be one of the<br />

museum’s special attractions.<br />

View of the exhibition “Among Gods and Men”<br />

at the Museo Nacional del Prado<br />

35

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