2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
2008 - Staatliche Kunstsammlungen Dresden
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Ulrich Lindner, Sheet VIII (“Atelier”),<br />
1991, Kupferstich-Kabinett<br />
•<br />
Residenzschloss, Neues Grünes Gewölbe,<br />
Sponsel-Raum<br />
During the 16th century, the enamellists of<br />
Limoges in south-western France created<br />
works using the complicated technique of<br />
painting with enamels. These became<br />
much sought-after collector items among<br />
the aristocracy. The Grünes Gewölbe holds<br />
an extremely impressive and high-quality<br />
collection of these precious works which<br />
for a long time was overshadowed by the<br />
cabinet pieces produced by the <strong>Dresden</strong><br />
court jeweller Dinglinger and which is<br />
therefore little known.<br />
kupferstich-kabinett<br />
Georg Baselitz, Idol, 1964 ,<br />
<strong>Staatliche</strong> Graphische Sammlung, Munich<br />
»I can only see things when I move.«<br />
Positionen zeitgenössischer Kunst auf Papier<br />
(»Contemporary Art Positions on Paper)<br />
29th September 2007 – 20th January <strong>2008</strong><br />
Residenzschloss, Kupferstich-Kabinett<br />
In this exhibition featuring impressive works<br />
by Fred Sandback, Olafur Eliasson, Terry Winters,<br />
Per Kirkeby, Candida Höfer, Eberhard<br />
Havekost, Thomas Scheibitz, Thomas Demand,<br />
Jürgen Schön, Alexander Roob and<br />
others, the Kupferstich-Kabinett presented<br />
a selection of its new acquisitions since the<br />
year 2000. The title “I can only see things<br />
when I move” – taken from a work by the<br />
Danish artist Eliasson – indicates the relationship<br />
between movement and perception,<br />
space and time, as a central artistic theme<br />
in drawing, printmaking and photography.<br />
Otto Piene, Blue Quake, 1976, Kupferstich-Kabinett<br />
• DruckStelle. Graphik von Chillida bis Uecker.<br />
Die Stiftung Franz Larese und Jürg Janett,<br />
St. Gallen (DruckStelle. Printed Works<br />
from Chillida bis Uecker. The Franz Larese<br />
and Jürg Janett Foundation, St. Gallen)<br />
23rd February – 26th May <strong>2008</strong><br />
Residenzschloss, Kupferstich-Kabinett<br />
The “DruckStelle” exhibition was held to<br />
celebrate the donation of these works by<br />
the Franz Larese and Jürg Janett Foundation,<br />
St. Gallen, to the <strong>Dresden</strong> Kupferstich-<br />
Kabinett and in association with the Collection<br />
of Prints and Drawings at the ETH<br />
Zurich and the Kunstmuseum St. Gallen.<br />
• Georg Baselitz. Druckgraphik von 1964 bis<br />
1983. Aus der Sammlung Herzog Franz von<br />
Bayern (Georg Baselitz. Prints from 1964<br />
to 1983. From the collection of Duke Franz<br />
of Bavaria)<br />
Exhibition by the Kupferstich-Kabinett,<br />
<strong>Dresden</strong> and the <strong>Staatliche</strong> Graphische<br />
Sammlung, Munich<br />
20th June – 8th August <strong>2008</strong><br />
Residenzschloss, Kupferstich-Kabinett<br />
In this exhibition – which included single<br />
impressions, series of successive states and<br />
trial proofs – the <strong>Dresden</strong> Kupferstich-Kabinett<br />
provided a special insight into the<br />
graphic works of Georg Baselitz. The exhibits<br />
were on loan from the collection of Duke<br />
Franz of Bavaria and had never previously<br />
been put on public display together. The<br />
exhibition was organised in collaboration<br />
with the <strong>Staatliche</strong> Graphische Sammlung,<br />
Munich and was subsequently shown at<br />
the Pinakothek der Moderne.<br />
•<br />
»… so höher als Gold geschätzet«<br />
Das Maleremail aus Limoges und die Druck-<br />
graphik der Renaissance (»… more valuable<br />
than gold« Limoges painted Enamel and<br />
Graphik of the Renaissance)<br />
Exhibition by the Grünes Gewölbe in association<br />
with the Kupferstich-Kabinett<br />
27th September <strong>2008</strong> – 16th March 2009<br />
Residenzschloss, Neues Grünes Gewölbe,<br />
Sponsel-Raum<br />
• Hans Baldung Grien, Gerhard Altenbourg,<br />
Ulrich Lindner. Aus der Sammlung 01<br />
(Hans Baldung Grien, Gerhard Altenbourg,<br />
Ulrich Lindner. From the Collection 01)<br />
17th October <strong>2008</strong> – 5th January 2009<br />
Residenzschloss, Kupferstich-Kabinett<br />
With this exhibition the Kupferstich-Kabinett<br />
launched a series of presentations<br />
which will draw attention to important<br />
groups of works among its holdings. The<br />
series began with woodcuts by Hans Baldung,<br />
alias Grien (1484/85 – 1545), contrasted<br />
with 20th-century works: photographs<br />
by Ulrich Lindner and woodcuts by Gerhard<br />
Altenbourg.<br />
Josef-Hegenbarth-Archiv<br />
Jana Morgenstern, Stones, 2007<br />
• Badende – Zeichnungen von<br />
Josef Hegenbarth (Bathers – Drawings<br />
by Josef Hegenbarth)<br />
21st February – 3rd July <strong>2008</strong><br />
Josef-Hegenbarth-Archiv<br />
Josef Hegenbarth, an illustrator who is<br />
2