02.12.2012 Views

2008 - Staatliche Kunstsammlungen Dresden

2008 - Staatliche Kunstsammlungen Dresden

2008 - Staatliche Kunstsammlungen Dresden

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Ulrich Lindner, Sheet VIII (“Atelier”),<br />

1991, Kupferstich-Kabinett<br />

•<br />

Residenzschloss, Neues Grünes Gewölbe,<br />

Sponsel-Raum<br />

During the 16th century, the enamellists of<br />

Limoges in south-western France created<br />

works using the complicated technique of<br />

painting with enamels. These became<br />

much sought-after collector items among<br />

the aristocracy. The Grünes Gewölbe holds<br />

an extremely impressive and high-quality<br />

collection of these precious works which<br />

for a long time was overshadowed by the<br />

cabinet pieces produced by the <strong>Dresden</strong><br />

court jeweller Dinglinger and which is<br />

therefore little known.<br />

kupferstich-kabinett<br />

Georg Baselitz, Idol, 1964 ,<br />

<strong>Staatliche</strong> Graphische Sammlung, Munich<br />

»I can only see things when I move.«<br />

Positionen zeitgenössischer Kunst auf Papier<br />

(»Contemporary Art Positions on Paper)<br />

29th September 2007 – 20th January <strong>2008</strong><br />

Residenzschloss, Kupferstich-Kabinett<br />

In this exhibition featuring impressive works<br />

by Fred Sandback, Olafur Eliasson, Terry Winters,<br />

Per Kirkeby, Candida Höfer, Eberhard<br />

Havekost, Thomas Scheibitz, Thomas Demand,<br />

Jürgen Schön, Alexander Roob and<br />

others, the Kupferstich-Kabinett presented<br />

a selection of its new acquisitions since the<br />

year 2000. The title “I can only see things<br />

when I move” – taken from a work by the<br />

Danish artist Eliasson – indicates the relationship<br />

between movement and perception,<br />

space and time, as a central artistic theme<br />

in drawing, printmaking and photography.<br />

Otto Piene, Blue Quake, 1976, Kupferstich-Kabinett<br />

• DruckStelle. Graphik von Chillida bis Uecker.<br />

Die Stiftung Franz Larese und Jürg Janett,<br />

St. Gallen (DruckStelle. Printed Works<br />

from Chillida bis Uecker. The Franz Larese<br />

and Jürg Janett Foundation, St. Gallen)<br />

23rd February – 26th May <strong>2008</strong><br />

Residenzschloss, Kupferstich-Kabinett<br />

The “DruckStelle” exhibition was held to<br />

celebrate the donation of these works by<br />

the Franz Larese and Jürg Janett Foundation,<br />

St. Gallen, to the <strong>Dresden</strong> Kupferstich-<br />

Kabinett and in association with the Collection<br />

of Prints and Drawings at the ETH<br />

Zurich and the Kunstmuseum St. Gallen.<br />

• Georg Baselitz. Druckgraphik von 1964 bis<br />

1983. Aus der Sammlung Herzog Franz von<br />

Bayern (Georg Baselitz. Prints from 1964<br />

to 1983. From the collection of Duke Franz<br />

of Bavaria)<br />

Exhibition by the Kupferstich-Kabinett,<br />

<strong>Dresden</strong> and the <strong>Staatliche</strong> Graphische<br />

Sammlung, Munich<br />

20th June – 8th August <strong>2008</strong><br />

Residenzschloss, Kupferstich-Kabinett<br />

In this exhibition – which included single<br />

impressions, series of successive states and<br />

trial proofs – the <strong>Dresden</strong> Kupferstich-Kabinett<br />

provided a special insight into the<br />

graphic works of Georg Baselitz. The exhibits<br />

were on loan from the collection of Duke<br />

Franz of Bavaria and had never previously<br />

been put on public display together. The<br />

exhibition was organised in collaboration<br />

with the <strong>Staatliche</strong> Graphische Sammlung,<br />

Munich and was subsequently shown at<br />

the Pinakothek der Moderne.<br />

•<br />

»… so höher als Gold geschätzet«<br />

Das Maleremail aus Limoges und die Druck-<br />

graphik der Renaissance (»… more valuable<br />

than gold« Limoges painted Enamel and<br />

Graphik of the Renaissance)<br />

Exhibition by the Grünes Gewölbe in association<br />

with the Kupferstich-Kabinett<br />

27th September <strong>2008</strong> – 16th March 2009<br />

Residenzschloss, Neues Grünes Gewölbe,<br />

Sponsel-Raum<br />

• Hans Baldung Grien, Gerhard Altenbourg,<br />

Ulrich Lindner. Aus der Sammlung 01<br />

(Hans Baldung Grien, Gerhard Altenbourg,<br />

Ulrich Lindner. From the Collection 01)<br />

17th October <strong>2008</strong> – 5th January 2009<br />

Residenzschloss, Kupferstich-Kabinett<br />

With this exhibition the Kupferstich-Kabinett<br />

launched a series of presentations<br />

which will draw attention to important<br />

groups of works among its holdings. The<br />

series began with woodcuts by Hans Baldung,<br />

alias Grien (1484/85 – 1545), contrasted<br />

with 20th-century works: photographs<br />

by Ulrich Lindner and woodcuts by Gerhard<br />

Altenbourg.<br />

Josef-Hegenbarth-Archiv<br />

Jana Morgenstern, Stones, 2007<br />

• Badende – Zeichnungen von<br />

Josef Hegenbarth (Bathers – Drawings<br />

by Josef Hegenbarth)<br />

21st February – 3rd July <strong>2008</strong><br />

Josef-Hegenbarth-Archiv<br />

Josef Hegenbarth, an illustrator who is<br />

2

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!