02.12.2012 Views

2008 - Staatliche Kunstsammlungen Dresden

2008 - Staatliche Kunstsammlungen Dresden

2008 - Staatliche Kunstsammlungen Dresden

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

2004: Opening of the exhibition “The Glory of Baroque <strong>Dresden</strong>” with Federal<br />

Chancellor Gerhard Schröder, Prime Minister of Saxony Prof. Dr. Georg Milbradt<br />

and Prof. Dr. Martin Roth (from right to left)<br />

18 ThE sTAATLiChE kUNsTsAmmLUNgEN<br />

DREsDEN iN iNTERNATiONAL DiALOgUE<br />

The <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> have been a<br />

repository of artistic and cultural treasures for centuries. In<br />

2010 they will be celebrating their 450th anniversary. They<br />

are more internationally oriented than almost any other<br />

museum institution in Germany. As one of the most renowned<br />

cultural institutions in the country, this association<br />

of eleven museums is seen throughout the world as a<br />

cultural ambassador, as a mediator not only of German but<br />

of European cultural history. For the <strong>Dresden</strong> collections<br />

have always been profoundly European in character but at<br />

the same time focused on the perception and exploration<br />

of the world. Whether we speak of the fashion for ‘chinoiserie’<br />

in the 17th and 18th centuries, which is still evident in<br />

<strong>Dresden</strong> today, or of the fascination of August the Strong<br />

for the France of Louis XIV and its artistic influences, or of<br />

the captivating allure of oriental art and culture, which<br />

visitors will again be able to experience from the end of<br />

2009, when the “Türckische Cammer” (Turkish Chamber) is<br />

due to open in the Residenzschloss – international connections<br />

and references are to be found in abundance in<br />

<strong>Dresden</strong>. The city of art was open to outside influences and,<br />

conversely, European art owes much to the artists who over<br />

the ages worked in or were shaped by the city, including<br />

many who had come here from abroad. The museums in<br />

the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong> preserve works<br />

of distinction among the visual arts of Europe.<br />

2005: Opening of the exhibition “Princely Splendour. The <strong>Dresden</strong> Court 1580 –<br />

1692” with (from left to right) Lord George Weidenfeld, Lord Jacob Rothschild,<br />

Prof. Dr. Hubert Burda and Prof. Dr. Martin Roth<br />

Thus, when the art collections present this cultural heritage<br />

not only to their international guests in <strong>Dresden</strong> but<br />

around the world, holding exhibitions, collaborating in<br />

international scientific partnerships and attending congresses<br />

and conferences, they are fulfilling an obligation<br />

that arises out of tradition. They are supported in these<br />

endeavours by the government of Saxony and the German<br />

federal government. Heads of government and ministers<br />

at both federal state and national level are usually present<br />

at major events held abroad.<br />

In justification of the international engagement of the<br />

<strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>, Prof. Dr. Martin<br />

Roth refers to the European dimension of the history of<br />

this association of museums. “The assets in <strong>Dresden</strong> which<br />

are now counted as part of the world’s cultural heritage<br />

are there thanks to the free, open-minded spirit of all those<br />

who created the works of art and those who built up these<br />

collections over the centuries. They saw art as international<br />

and knew no boundaries, neither geographical nor<br />

intellectual or cultural ones. It is not least for this reason<br />

that two million people a year now visit our eleven museums<br />

in <strong>Dresden</strong> and find works of art that bear testimony<br />

to a global culture”.<br />

Martin Roth considers it important that the <strong>Staatliche</strong><br />

<strong>Kunstsammlungen</strong> <strong>Dresden</strong> should establish contacts with<br />

people in other countries. He continues: “Over the past few<br />

years we have presented our visiting card in the form of<br />

numerous exhibitions abroad and have consciously drawn<br />

attention to <strong>Dresden</strong>’s art treasures. These carefully prepared<br />

thematic exhibitions have emphasised the international<br />

character of the <strong>Dresden</strong> collections. It is important

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!