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2008 - Staatliche Kunstsammlungen Dresden

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In the National Art Museum of China, Beijing: (from left to right) Yang Jiechi, Foreign Minister of the People’s<br />

Republic of China; Dr. Frank-Walter Steinmeier, German Foreign Minister; Prof. Dr. Martin Roth, Director-General<br />

of the <strong>Staatliche</strong> <strong>Kunstsammlungen</strong> <strong>Dresden</strong>; Fan Di´an, Director of the National Art Museum of China, Beijing<br />

mEssAgE OF gREETiNg FROm<br />

DR FRANk-WALTER sTEiNmEiER,<br />

FEDERAL miNisTER FOR FOREigN<br />

AFFAiRs<br />

When looking at this Annual Report from the <strong>Dresden</strong><br />

State Art Collections, some of you may ask why it includes<br />

a piece written by the German Foreign Minister. What do<br />

museums in Germany have to do with foreign policy?<br />

My answer is “a great deal!” The <strong>Dresden</strong> State Art Collections,<br />

the oldest and second largest museum grouping<br />

in the country, is now a real global player in the world of<br />

museums and serves as a cultural beacon for Germany on<br />

numerous continents. You not only receive guests from<br />

around the world here in <strong>Dresden</strong>, but are yourselves active<br />

abroad, participating in exhibitions and cooperating with<br />

foreign scholars, attending international conferences and<br />

events. It is these bridges formed by cultural exchange that<br />

provide the connections which are so beneficial in politics<br />

and business. However, culture is much more than a foot<br />

in the door. By means of cultural exchange we not only<br />

showcase our country abroad but, by constantly engaging<br />

in dialogue with others, we are also caused to perpetually<br />

re-examine our own identity.<br />

Under the stewardship of Professor Martin Roth, the<br />

<strong>Dresden</strong> State Art Collections has in the past few years<br />

cooperated closely with the Federal Foreign Office on a<br />

considerable number of projects, including events in<br />

places such as Jackson, Mississippi in the southern USA,<br />

New York, Rome, Kobe and Tokyo, London, Versailles and<br />

Moscow. These places are but a few of the many that have<br />

witnessed impressive and successful projects. In <strong>2008</strong>, the<br />

<strong>Dresden</strong> State Art Collections stepped up its international<br />

activities yet further. I especially recall “China in <strong>Dresden</strong><br />

in China”. This was a project with a long preparation period,<br />

which cost years of work, and which resulted in fabulous<br />

exhibitions in both Beijing and <strong>Dresden</strong>. Another<br />

highlight for me was opening the twin exhibition on<br />

Gerhard Richter and Living Landscapes at the National<br />

Museum of China in Beijing, something I did jointly with<br />

Professor Roth.<br />

All of this is foreign policy in the best of senses. On my<br />

travels my interlocutors have told me time and again just<br />

how great interest in their countries is in German culture,<br />

and in German museums in particular. Nurturing this interest<br />

and inspiring young people especially, wherever they<br />

are in the world, to learn about our ideas is not just an<br />

important goal of our museums’ activities, but also one of<br />

the primary tasks of the Foreign Minister.<br />

Dr Frank-Walter Steinmeier<br />

Federal Minister for Foreign Affairs<br />

Page 16: The exhibition “Unter Göttern und<br />

Menschen” (Among Gods and Men) by the<br />

Museo Nacional del Prado and the <strong>Dresden</strong><br />

Skulpturensammlung at the Prado, Madrid<br />

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