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A Quarterly of Criticism and Review i^^^^^^^^fcEjfc $15

A Quarterly of Criticism and Review i^^^^^^^^fcEjfc $15

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But how is it that this ascription takes on a specifically narrative form?Boas has argued that the "fundamental problem" <strong>of</strong> the anthropologist isthe description <strong>of</strong> the progress <strong>of</strong> cultures, <strong>and</strong> that the West Coast Nativesprovide remarkably favourable "conditions" for the fulfilment <strong>of</strong> this task(Race, Language <strong>and</strong> Culture341). The Kwakwaka'wakw provide a nearlyideal context for the writing out <strong>of</strong> an anthropological master-narrative, thestory <strong>of</strong> the discovery <strong>of</strong> these human fundamentals. But these "conditions,"in so far as they require the manifest traces <strong>of</strong> pre-White civilizations, arethemselves constructions <strong>of</strong> the anthropological mind. The collation <strong>of</strong>Kwakwaka'wakw tales occasions the potential solving <strong>of</strong> a narrative problem:the heroic, scholarly task <strong>of</strong> solving this "fundamental problem," <strong>of</strong>doing anthropology, through the creation <strong>of</strong> anthropological fictions <strong>of</strong> the'"basic tendencies" <strong>of</strong> humankind. Furthermore, Boas imposes on his collection<strong>of</strong> tales another narratological sequencing, a meta-narrative whichoverwrites the individual narratives he translates <strong>and</strong> recounts, a masterplot<strong>of</strong> anthropological discovery <strong>of</strong> which he himself is the protagonist. Inhis zeal for human (that is, chiefly American) "progress" <strong>and</strong> liberation,Boas uses the tales to tell his own story <strong>of</strong> how these tales lead him towardpersonal enlightenment, through a productive conflict with <strong>and</strong> assimilation<strong>of</strong> cultural difference, with otherness. The gaps <strong>of</strong> difference, <strong>of</strong> differentiation,whether merely cultural or essentially human, are closed byanthropology itself, as it seeks a positive productivity in its Western contextby turning a relative cultural liberation into a holistic human enterprise.The anthropological becomes what Boas sees as the fully human, as theanthropologist assimilates <strong>and</strong> underst<strong>and</strong>s the differences <strong>of</strong> the peoples hestudies. Boasian anthropology, despite its provisos, aims then to determinewhat this humanity is, <strong>and</strong> to impose its st<strong>and</strong>ards, as if they were universal,on those for whom it purports beneficently to speak. Boas's scientific commentarieson the tales are not static or atemporal, not strictly "objective,"but narrate a progress toward the liberating resolution promised by Boas'sown westernized anthropological ideals.Boas's collation <strong>of</strong> two instances <strong>of</strong> the same Kwakwaka'wakw tale providesa clear example <strong>of</strong> this narrative in motion. In his second series <strong>of</strong>Kwakiutl Tales, Boas <strong>of</strong>fers a 1932 re-telling by the same narrator, CharlieWilson, <strong>of</strong> the story <strong>of</strong> "Scab," which he had already collected in 1900 for hisfirst series <strong>of</strong> tales. In a note on the versions, Boas compares the two to eachother <strong>and</strong> to an unrecounted version <strong>of</strong> the same story (a version to which

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