Play-Persona: Modeling Player Behaviour in Computer Games

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23. Nijholt, A., BCI for Games: A ‘State of the Art’ Survey. In Proceedings of Entertainment Computing - ICEC 2008, (Pittsburgh, PA, USA, 2008), Springer, 225-228. 24. Pagulayan, R.J., Steury, K.R., Fulton, B. and Romero, R.L. Designing for fun: user-testing case studies. In Funology: from usability to enjoyment, Kluwer Academic Publishers, 2004, 137- 150. 25. Salminen, M. and Ravaja, N. Increased oscillatory theta activation evoked by violent digital game events. Neuroscience Letters, 435 (1). 69-72. 26. Tychsen, A. and Canossa, A., Defining personas in games using metrics. In 2008 Conference on Future Play: Research, Play, Share, (Toronto, Ontario, Canada, 2008), ACM, 73-80. 27. Vorderer, P., Klimmt, C. and Ritterfeld, U. Enjoyment: At the Heart of Media Entertainment. Communication Theory, 14 (4). 388-408. 28. YEE N. Facets: 5 motivation factor why people play MMORPG’s. Available at http://www.nickyee.com/facets/5motiva.html 238
ARTICLE 11 - GAME METRICS AND BIOMETRICS: THE FUTURE OF PLAYER EXPERIENCE RESEARCH (EXTENDED ABSTRACT) Futureplay 2009 (ACM conference) panel with Lennart Nacke (Department of Interaction and System Design, Blekinge Institute of Technology), Mike Ambinder (Valve Corporation), Alessandro Canossa (IO Interactive), Anders Drachen (Center for Computer Games Research, IT University of Copenhagen), Regan Mandryk (Department of Computer Science, University of Saskatchewan), David Pinelle (Institute of Information Technology, National Research Council) ABSTRACT There is a call in industry and research for objective evaluation of player experience in games. With recent technological advancements, it is possible to automatically log numerical information on in- game player behavior and put this into temporal, spatial, and psychophysiological context. The latter is done using biometric evaluation techniques, like electromyography (EMG), electroencephalography (EEG), and eye tracking. Therefore, it is necessary to discuss experimental results in academia and best practices in industry. This panel brings together experts from both worlds sharing their knowledge using conventional and experimental, qualitative and quantitative methods of player experience in games. Categories and Subject Descriptors K.8.0 [General]: Games|Personal Computing; D.2.8 [Soft- ware Engineering]: Metrics|complexity measures, performance measures; H.5.1 [Multimedia Information Sys- tems]: Evaluation/methodology|Information Interfaces And Presentation General Terms: Measurement, Performance, Design, Experimentation, Human Factors, Standardization Keywords: games, metrics, biometrics, player, user experience, funology 239
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Play-Persona: Modeling Player Behav
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4.2.3 PLAYER EXPRESSION 53 4.3 PEIR
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ACKNOWLEDGEMENTS I would like to th
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ABSTRACT This thesis proposes a fra
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Analysis seeks to break down comple
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Considering games as acts of commun
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ensemble - the syntagm. Selection r
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described in terms of likelihood of
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ook: FLUX, published in 2008. This
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2. A THEORETICAL FRAMEWORK FOR MODE
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“positivism” and “anti-positi
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with the game world based solely on
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on that text. Later, Barthes introd
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according to their mental state. Wh
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Following the humanistic tradition
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In most games it is not realistic t
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ehaviour. Assessing assumptions on
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Independently on the identity of ea
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main focus of the brand has always
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3.4 Play-persona as a lens (a poste
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Figure 10: personality and subperso
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4. CREATING EXPERIENCES The MDA fra
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Play-styles are sets of isotopic ga
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4.2.3 Player expression Player expr
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Players will eventually understand
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Combining both of these two approac
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REFERENCES 1. Aarseth, E. (1997): C
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52. Hunicke, R. LeBlanc, M. & Zubek
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96. Wiggins, A. (2006): Data Driven
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ARTICLE 1 - TOWARDS A THEORY OF THE
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flow between the player, the avatar
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6. The player constructs knowledge
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are sets of rational, bodily, and b
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ehaviorism asserting that a compreh
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4.3 Origin of subpersonalities Acco
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environment and the emanating subpe
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flow line), one must increase the c
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7.1 Explorer’s path FIGURE 5 Expl
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the roof section, where he/she will
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14. DE SOUSA, R. 2003. Emotions. In
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ARTICLE 2 - DESIGNING LEVELS FOR EN
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2 STRUCTURE OF A GAME LEVEL The fir
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3.2 Symbolical Reading The movement
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The hangar is open for workers and
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gather info, spying through keyhole
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6.2 Play-Personas I am going to def
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The Butcher persona would have quit
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ARTICLE 3 - WAVING EXPERIENCES: PLA
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types" [12]. Personas are construct
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esults in the relatively easy task
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Crew actions schemas are: • Squad
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choice given until the mark “poli
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REFERENCES 1. Bozec, P. "My Everyth
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ARTICLE 4 - WEAVING EXPERIENCES IN
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In order to be able to take acti
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persona could be narratively define
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of non lethal, silent, and clean de
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ARTICLE 5 - DEFINING PERSONAS IN GA
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software is however limited in that
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event sets, i.e. capturing metrical
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objects and entities within it. Eve
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metrics include tracking camera vie
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Figure 4: Example of interaction me
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looting is a play-style observed in
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players can choose between differen
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Play modes: Running, climbing, fall
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according to their positioning on a
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14. Medlock, M.C., Wixon, D.; Terra
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ARTICLE 6 - PLAY-PERSONAS: BEHAVIOU
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experiences are evaluated and remem
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B) It is possible to infer user nee
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personas are hypotheses that emerge
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Expert Rookie Grunt Athlete Chess-
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Procedural description: Shooting: -
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In the case example for Tomb Raider
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2. Cooper, A.: The Inmates Are Runn
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ARTICLE 7 - TOWARDS GAMEPLAY ANALYS
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The requirement for improving user-
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The literature on game metrics is m
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ecause they all stem from in-house
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If a player kills a traitor they re
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Figure 3 (Top): diagram showing the
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titles where there is a trend towar
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a secondary variable together with
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player spent at the location and wh
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3. Börner, K., Penumarthy, S.: Soc
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34. Thompson, C.: Halo 3: How Micro
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ARTICLE 8 - ANALYZING SPATIAL USER
Page 187 and 188: on basic statistical analysis metho
Page 189 and 190: visualization or for creating overv
Page 191 and 192: egarding actions undertaken in-game
Page 193 and 194: ased methods within the games area
Page 195 and 196: 2.4 The EIDOS Metrics Suite The dat
Page 197 and 198: is played in Third-Person perspecti
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Page 201 and 202: ArcGIS permits different layers to
Page 203 and 204: 4. Cadez, I., Heckerman, D., Meek,
Page 205 and 206: 35. Whiteside, J., Archer, N. P., W
Page 207 and 208: ARTICLE 9 - PLAYER MODELING USING S
Page 209 and 210: unsupervised learning in capturing
Page 211 and 212: 3. TOMB RAIDER: UNDERWORLD The popu
Page 213 and 214: 2 - Environment; the percent of tot
Page 215 and 216: (ESOM) [5] to emphasize the distinc
Page 217 and 218: populated middle-left cluster (Fig.
Page 219 and 220: weight values we repeat the trainin
Page 221 and 222: TABLE I THE FOUR PLAYING BEHAVIOR C
Page 223 and 224: (d) Number of Deaths, D (e) Complet
Page 225 and 226: equests for specific in-game puzzle
Page 227 and 228: 13. G. N. Yannakakis and M. Maragou
Page 229 and 230: ARTICLE 10 - PSYCHOLOGY OF PERSONAL
Page 231 and 232: Personality is described as recogni
Page 233 and 234: Inputs: Outputs: Primary attack (ra
Page 235 and 236: Due to the fact that each game metr
Page 237: 12. Jennett, C., Cox, A.L., Cairns,
Page 241 and 242: His research interests are biometri
Page 243 and 244: 5. R. L. Hazlett. Measuring emotion
Page 245 and 246: ARTICLE 12 - ANALYZING USER BEHAVIO
Page 247 and 248: elated to player-game interaction a
Page 249 and 250: 10. Kuniavsky, M.: Observing the Us
Page 251 and 252: ARTICLE 13 - PATTERNS OF PLAY: PLAY
Page 253 and 254: Play-personas are here introduced a
Page 255 and 256: It is only natural that game design
Page 257 and 258: 4 Defining play-personas using game
Page 259 and 260: TRU is the eighth installment in th
Page 261 and 262: gameplay, descriptiveness of player
Page 263 and 264: In the case of TRU, the three param
Page 265 and 266: into which sections of the levels t
Page 267 and 268: Runners: This group completes the g
Page 269 and 270: 17. Iser, W.: The Implied Reader. J
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