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JBTM_13-2_Fall_2016
JBTM_13-2_Fall_2016
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JBTM Jeffrey G. Audirsch<br />
42<br />
2<br />
No doubt you are the people,<br />
and wisdom will die with you.<br />
3<br />
But I have understanding as well as you;<br />
I am not inferior to you.<br />
Who does not know such things as these?<br />
Personification is the assigning of humanlike characteristics typically to plants, animals,<br />
and inanimate objects. 43 One of the most famous examples of personification is Lady<br />
Wisdom and Dame Folly in the book of Proverbs. In Prov 1, wisdom is personified crying<br />
out in the city streets.<br />
20<br />
Wisdom cries aloud in the street,<br />
in the markets she raises her voice;<br />
21<br />
at the head of the noisy streets she cries out;<br />
at the entrance of the city gates she speaks:<br />
22a<br />
“How long, O simple ones, will you love being simple?” (Prov 1:20–22a)<br />
Although this essay does not focus on Hebrew poetics, three literary/structural features<br />
are worth mentioning given their notoriety: chiasms, inclusios, and acrostics. At times,<br />
identifying these structural features is difficult without knowledge of biblical Hebrew—<br />
especially acrostics. Chiasm (or chiasmus) is a structural, literary device where the word<br />
order of a line of poetry is reversed in a parallel line of poetry (a-b / b’ a’). 44 An inclusio, like<br />
a chiasm, is another structural device. As a literary unit (or envelope figure), an inclusio<br />
is framed by “the repetition of the same phrase or sentence at the beginning and end of a<br />
stanza or poem.” 45 Psalm 103 is a great example of an inclusio. Verses 1 and 22 frame the<br />
psalm with the refrain, “Bless the Lord, O my soul.”<br />
The last literary feature of note is the acrostic. Describing the acrostic, F. W. Dobbs-<br />
Allsopp says, “The acrostic’s basic formal conceit is that the initial letters or signs of each<br />
line, couplet, or stanza, when read in succession, spell out a name, sentence, alphabet,<br />
or alphabetic pattern.” 46 There are 15 partial or full acrostics in the Old Testament (e.g.,<br />
43<br />
For a concise overview of the various forms of personification in the Old Testament (i.e.,<br />
inchoate, synecdochic, collective, and characterized), see Paul E. Koptak, “Personification,” in<br />
Dictionary of the Old Testament: Wisdom, Poetry, & Writings, eds. Tremper Longman III and Peter Enns<br />
(Downers Grove: InterVarsity Press, 2008), 516–19.<br />
44<br />
Klein, Blomberg, and Hubbard, Introduction to Biblical Interpretation, 298. Additionally, the<br />
parallel elements form an X in the biblical text. The X is representative of the Greek letter chi, which<br />
is where the name chiasm is derived. Chiasms are found in both biblical narrative and poetry; cf.<br />
Bullock, Encountering the Book of Psalms, 42–43.<br />
45<br />
Watson, Classical Hebrew Poetry, 282–83; cf. Klein, Blomberg, and Hubbard, Introduction to Biblical<br />
Interpretation, 303.<br />
46<br />
F. W. Dobbs-Allsopp, “Acrostic: Ancient Near East and Hebrew Bible/Old Testament,” in