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Northern mythology

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NORTHERN MYTHOLOGY. 119<br />

composed, could not have been produced by ignorant<br />

monks.<br />

The second opmion can only have arisen out of a blind<br />

predilection for antiquity ; for when we abstract the religious<br />

element which is common to all religions, and the<br />

descriptions of the destruction of the world, which are<br />

spread over the whole globe, we find in the <strong>Northern</strong> <strong>mythology</strong><br />

not one trace of that which constitutes the essential<br />

in Christianity ; and the accidental resemblance vanishes<br />

on every closer consideration. The old religion of<br />

the inhabitants of the North is in fact neither a collection<br />

of absurdities and insipid falsehoods, nor a fountain of<br />

exalted wisdom ;<br />

but is the ideas of an uncultivated people,<br />

with reference to the relation between the<br />

divine and the<br />

worldly, expressed in images intelligible to the infant understanding.<br />

The present time must not expect to find in<br />

it<br />

either a revelation of new ideas, or a guide to the way of<br />

happiness ; even the poet of the present will fail to discover<br />

in it a source of inspiration, except in so far as it may<br />

•<br />

supply him with a fitting dress for his own poetic images.<br />

In fact, the Eddaic lore is important, chiefly because it<br />

sheds light on the study of antiquity, on the development<br />

of the human mind in general, and of that of our forefathers<br />

in particular.<br />

With respect to the interpretation itself, the expounders<br />

of the Eddas are divided into two sects : one will impart<br />

to us an illustration of what the ancients themselves<br />

thought of these myths, the other will show what may be<br />

thought of them. The first will seize the sense of a given<br />

poem, the second will try to discover what may further<br />

be imagined from it. The latter we shall at once dismiss;<br />

for however beautiful and elevating their interpretations<br />

may be, and however much poetic application may be<br />

made of them, they will, nevei-theless, not conduct us to,<br />

but from, antiquity, while it is precisely that which we

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